top bengali writers of the bangla literature

Famous Bengali Writers That You Should Check Right Now

Reading books is one of the greatest habits of humankind. Fictional books are not only a medium of entertainment but also a great source of a passive experience. There are many famous Bengali writers in Bangladesh. Every author and poet has their own unique expression, style, and philosophy.

You can spend a great leisure time with these renowned writers and their superb books. Buy all Sadat Hossain Books, Rich Dad Poor Dad, the things you can see only when you slow down now from the Daraz online shop in Bangladesh.

11 Popular Bengali Writers You’ll Love for Sure

Let’s Have A Look At These 11 Famous Bengali Writers You Can Read Right Now.

humayun ahmed image1) Humayun Ahmed

Humayun Ahmed is a renowned and popular author in Bangladesh. His books are vastly loved by the mass Bangladeshi readers. You can find Humayun Ahmed’s books with the most humorous and tragic stories.

rabithakur image2) Rabindranath Thakur

Rabindranath Tagore is the first Nobel prize winner Bengali writer. He won the prize in 1913 for his brilliant poetic expressions. We can still find joy and peace in most of Rabindranath Tagore’s books throughout Bengali literature.

sarat chandra image3) Sarat Chandra Chattopadhyay

Sarat Chandra Chattopadhyay was one of the most popular Bengali novelists of the early 20th century. Devdas, Pather Dabi, Srikanta, Parineeta, etc. are some of the finest of Sarat Chandra Chattopadhyay Books of Bangla literature.

taslima nasrin images4) Taslima Nasrin

Taslima Nasrin is an award-winning Bangladeshi author, physician, and human rights activist. You can find her powerful writings on women’s abuse and criticism of religion in most of Taslima Nasrin’s Books.

Manik Bandopadhyay image5) Manik Bandopadhyay

The recursive relation between life, fate, and humans- is one of the most common themes you can find in Manik Bandopadhyay Books. Manik Bandopadhyay is regarded as one of the important figures of 20th-century Bengali literature.

shamsur rahman image6) Shamsur Rahman

Shamsur Rahman was a Bangladeshi poet, who appeared in the latter half of the 20th century. Liberal humanism, human relations, and the romanticized rebellion of youth were the main topics in the most popular Shamsur Rahman Books.

ahmed sofa image

7) Ahmed Sofa

Ahmed Sofa was a well-known Bangladeshi writer, critic, and intellectual. There are more than thirty Ahmed Sofa books including stories, songs, novels, poems, essays, translations, history, and travelogues.

anisul hoq image8) Anisul Hoq

Anisul Hoq is one of the most popular authors in recent days. There are many famous Anisul Hoq books including ‘Ma’, ‘Jimmi’, ‘Andhokarer 100 Bachar’ etc. He is also an active journalist currently working on the daily Prothom Alo newspaper.

jibonananda das image9) Jibanananda Das

Jibanananda Das is reasonably the most popular poet of modern Bengali literature. He introduced modernist poetry to Bengali Literature. His unique poetic expression, choice of words, and thematic preferences are found in most of Jibanananda Das’s Books.

zahir rayhan image10) Zahir Raihan

Zahir Raihan was a renowned Bangladeshi novelist, film director, and storyteller. He received the Bangla Academy Literary Award in 1982 for his contribution to the field of Bengali literature. You can find the most important Zahir Raihan Books in all the bookshop in Bangladesh.

Satyajit Ray Image11) Satyajit Ray

Satyajit Ray is a great writer and filmmaker who won The Academy Award as the first Indian director.  Detective Feluda and Professor Shanku are some finest characters you can find in famous Satyajit Ray Books.

Whether you like to read some classic literature or are in search of your next favorite writers- these poets and authors can be your ideal choice to try. If you’re a recent-time reader, you may also like to read Ayman Sadik’s books and Arif Azad’s books as well. 

You can find the Masud Rana Series from Kazi Anwar Hossain Books at Daraz online bookshop. Go through many more renowned book collections online. Have a nice reading journey with popular books of Daraz Bangladesh.

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Top 5 Popular Book Publishers In Boi Mela

popular book publishers in bangladesh

Must Check 5 Popular Book Publishers In Ekushey Boi Mela

Boi Mela is not only a typical bookfair anymore, nowadays it becomes a national and traditional ceremony of Bangladeshi people. It is named ‘Amor Ekushey Boi Mela’ after the pride of young martyrs’ death sacrifice for their mother tongue back in 1952. Boi Mela is taking place since February 1972 at Bangla Academy. An extraordinary intellectual and publisher named Chittaranjan Saha had set up the first Boi Mela at ‘Bangla academy bottola’ with only 32 books on the ground which were published in West Bengal in 1971 during the liberation war of Bangladesh. So It can be said that the Ekushe Book Fair is not only a national book fair but also a symbol of our culture.

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ekushey boi mela

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āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻžāϰ āχāϤāĻŋāĻšāĻžāϏ āĻ āĻŋāĻ• āĻĒā§āϰāĻžā§Ÿ āĻ¸ā§āĻŦāĻžāϧ⧀āύ āĻŦāĻžāĻ‚āϞāĻžāϰ āχāϤāĻŋāĻšāĻžāϏ⧇āϰ āĻŽāϤāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻŦāϞāĻž āϚāϞ⧇āĨ¤ āϏāĻ°ā§āĻŦāĻĒā§āϰāĻĨāĻŽ ‘āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āĻ•āĻŦ⧇ āĻ…āύ⧁āĻˇā§āĻ āĻŋāϤ āĻšāϝāĻŧ?’ – āĻļā§€āĻ°ā§āώāĻ• āĻĒā§āϰāĻļā§āύāϟāĻŋāϰ āωāĻ¤ā§āϤāϰ āϖ⧁āρāϜāϤ⧇ āĻ—āĻŋā§Ÿā§‡ āϜāĻžāύāĻž āϝāĻžā§Ÿ, āĻĸāĻžāĻ•āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āϝāĻžāϞ⧟ āϏāĻ‚āϞāĻ—ā§āύ āĻŦāĻ°ā§āϧāĻŽāĻžāύ āĻšāĻžāωāϜ āĻĒā§āϰāĻžāĻ™ā§āĻ—āύ⧇ āĻŽāĻžāĻ¤ā§āϰ ā§Šā§¨ āϟāĻŋ āĻŦāχ āύāĻŋā§Ÿā§‡ āĻ¤ā§ŽāĻ•āĻžāϞ⧀āύ āĻŦāχ āĻŽā§‡āϞāĻžāϰ āϝāĻžāĻ¤ā§āϰāĻž āĻļ⧁āϰ⧁ āĻšā§Ÿ ā§Ž āĻĢ⧇āĻŦā§āϰ⧁⧟āĻžāϰāĻŋ, ⧧⧝⧭⧍ āϏāĻžāϞ⧇ āϚāĻŋāĻ¤ā§āϤāϰāĻžā§āϜāύ āϏāĻžāĻšāĻž āĻāϰ āĻšāĻžāϤ āϧāϰ⧇āĨ¤ āϏ⧇āχ āϏāĻŽā§Ÿā§‡āϰ āĻ¸ā§āĻŦāĻžāϧ⧀āύ āĻŦāĻžāĻ‚āϞāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āĻĒāϰāĻŋāώāĻĻ (āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āĻŽā§āĻ•ā§āϤāϧāĻžāϰāĻž āĻĒā§āϰāĻ•āĻžāĻļāύ⧀ āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤ) āĻĨ⧇āϕ⧇ āϗ⧁āϟāĻŋāĻ•ā§Ÿā§‡āĻ• āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļā§€ āĻļāϰāĻŖāĻžāĻ°ā§āĻĨā§€ āϞ⧇āĻ–āĻ•āĻĻ⧇āϰ āϞ⧇āĻ–āĻž āĻāχ ā§Šā§¨ āĻ–āĻžāύāĻž āĻŦāχ āĻ›āĻŋāϞ āĻ¸ā§āĻŦāĻžāϧ⧀āύ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϏāĻ°ā§āĻŦāĻĒā§āϰāĻĨāĻŽ āĻŦāχ āĻŽā§‡āϞāĻžāϰ āĻŽā§‚āϞ āϰāώāĻĻāĨ¤ āĻŽā§‚āϞāϤ āϚāĻŋāĻ¤ā§āϤāϰāĻžā§āϜāύ āϏāĻžāĻšāĻžāϰ āĻāĻ•āĻžāϰ āĻšā§‡āĻˇā§āϟāĻžā§Ÿ āĻ—ā§œāĻž āĻāχ āĻŦāχ āĻāĻ­āĻžāĻŦ⧇āχ āϚāϞāϤ⧇ āĻĨāĻžāϕ⧇ ⧧⧝⧭ā§Ŧ āϏāĻžāϞ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻāĻŦāĻ‚ ā§§ā§¯ā§­ā§Ž āϏāĻžāϞ⧇ āĻāϏ⧇ āĻ¤ā§ŽāĻ•āĻžāϞ⧀āύ āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽāĻŋāϰ āĻŽāĻšāĻžāĻĒāϰāĻŋāϚāĻžāϞāĻ• āφāĻļāϰāĻžāĻĢ āϏāĻŋāĻĻā§āĻĻāĻŋāϕ⧀ āĻāϰ āĻ•āĻ˛ā§āϝāĻžāϪ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āϏāϰāĻžāϏāϰāĻŋ āϏāĻŽā§āĻĒ⧃āĻ•ā§āϤ āĻšā§Ÿ āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽā§€ āĻāϰ āϏāĻžāĻĨ⧇āĨ¤ āĻāϰāĻĒāϰ ⧧⧝⧭⧝ āϏāĻžāϞ⧇ āĻāϕ⧇ āĻāϕ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻĒ⧁āĻ¸ā§āϤāĻ• āĻŦāĻŋāĻ•ā§āϰ⧇āϤāĻž āĻ“ āĻĒā§āϰāĻ•āĻžāĻļāĻ• āϏāĻŽāĻŋāϤāĻŋ āĻŦāχ āĻŽā§‡āϞāĻžāϰ āϏāĻžāĻĨ⧇ āĻāĻ•āĻžāĻ¤ā§āĻŽāϤāĻž āĻĒā§āϰāĻ•āĻžāĻļ āĻ•āϰ⧇, āϝāĻžāϰ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāϤāĻž āĻ…āĻŦāĻļā§āϝ āϏ⧇āχ āϚāĻŋāĻ¤ā§āϤāϰāĻžā§āϜāύ āϏāĻžāĻšāĻž āύāĻŋāĻœā§‡āχāĨ¤ āĻ…āĻŦāĻļā§āϝ āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽā§€āϤ⧇ āĻĒā§āϰāĻĨāĻŽ āĻ…āĻŽāϰ āĻāϕ⧁āĻļ⧇ āĻ—ā§āϰāĻ¨ā§āĻĨāĻŽā§‡āϞāĻžāϰ āĻ†ā§Ÿā§‹āϜāύ āϏāĻŽā§āĻĒāĻ¨ā§āύ āĻšā§Ÿ ā§§ā§¯ā§Žā§Š āϏāĻžāϞ⧇ āĻ¤ā§ŽāĻ•āĻžāϞ⧀āύ āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽā§€āϰ āĻŽāĻšāĻžāĻĒāϰāĻŋāϚāĻžāϞāĻ• āĻ•āĻžāĻœā§€ āĻŽāύāϜ⧁āϰ⧇ āĻŽāĻ“āϞāĻž āĻāϰ āϤāĻ¤ā§āĻ¤ā§āĻŦāĻžāĻŦāϧāĻžāύ⧇āĨ¤ āϏ⧇āχ ā§Šā§¨āϟāĻŋ āĻŦāχ āύāĻŋā§Ÿā§‡ āĻļ⧁āϰ⧁ āĻ•āϰāĻž āĻ…āϤāĻŋ āĻ•ā§āώ⧁āĻĻā§āϰ āĻāĻ•āϟāĻŋ āĻŦāχ āĻŽā§‡āϞāĻž āĻ•āĻžāϞ⧇āϰ āĻŦāĻŋāĻŦāĻ°ā§āϤāύ⧇ āĻāϤāχ āĻŦ⧃āĻšā§Ž āφāĻ•āĻžāϰ āϧāĻžāϰāĻŖ āĻ•āϰ⧇ āϝ⧇, āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽā§€āϤ⧇ āĻ¸ā§āĻĨāĻžāύ āϏāĻ‚āϕ⧁āϞāĻžāύ āύāĻž āĻšāĻ“ā§ŸāĻžāχ ⧍ā§Ļā§§ā§Ē āϏāĻžāϞ⧇ āĻāϏ⧇ āϏ⧇āϟāĻž āϏ⧋āĻšāϰāĻžāĻ“ā§ŸāĻžāĻ°ā§āĻĻā§€ āωāĻĻā§āϝāĻžāύ⧇ āϏāĻŽā§āĻĒā§āϰāϏāĻžāϰāĻŖ āĻ•āϰāĻž āĻšā§ŸāĨ¤ āϏ⧇āĻŦāĻ›āϰ ā§¨ā§Šā§¨ āϜāύ āĻĒā§āϰāĻ•āĻžāĻļāĻ• āĻ¸ā§āϟāϞ āĻŦāϰāĻžāĻĻā§āĻĻ āĻĒ⧇āϞ⧇āĻ“ āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻžā§Ÿ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āϏāĻ‚āĻ–ā§āϝāĻ• ā§Ē⧍ā§Ģ āϜāύ āĻĒā§āϰāĻ•āĻžāĻļāĻ• āϞāĻ•ā§āĻˇā§āϝ āĻ•āϰāĻž āϗ⧇āϛ⧇ ⧍ā§Ļ⧧⧍ āϏāĻžāϞ⧇āĨ¤ āφāĻĒāύāĻžāϰ āĻŽāύ⧇ āĻĒā§āϰāĻļā§āύ āϜāĻžāĻ—āϤ⧇ āĻĒāĻžāϰ⧇ āϝ⧇, āĻāĻ–āύ āĻŦāχ āĻŽā§‡āϞāĻž āϕ⧋āĻĨāĻžāϝāĻŧ āĻšāϝāĻŧ? āĻŦāĻžāĻ‚āϞāĻž āĻāĻ•āĻžāĻĄā§‡āĻŽāĻŋ āĻ“ āϏ⧋āĻšāϰāĻžāĻ“ā§ŸāĻžāĻ°ā§āĻĻā§€ āωāĻĻā§āϝāĻžāύ āωāϭ⧟ āĻ¸ā§āĻĨāĻžāύ⧇āχ āĻŦāχ āĻŽā§‡āϞāĻž āϏāĻŽāĻžāύāϤāĻžāϞ⧇ āĻĒāĻžāϞāĻŋāϤ āĻšāĻšā§āϛ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇āĨ¤

āĻŦāχ āĻŽā§‡āϞāĻž āϏāĻŽā§āĻĒāĻ°ā§āĻ•āĻŋāϤ āϝ⧇āϏāĻŦ āϤāĻĨā§āϝ āύāĻž āϜāĻžāύāϞ⧇āχ āύ⧟

āϏ⧁āĻˇā§āϠ⧁ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāĻĒāύāĻžāϰ āϏ⧁āĻŦāĻŋāϧāĻžāĻ°ā§āϤ⧇ āĻŦāχ āĻŽā§‡āϞāĻžā§Ÿ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāĻŖāĻ•āĻžāϰ⧀ āĻĒā§āϰāĻ•āĻžāĻļāĻ•āĻĻ⧇āϰ āĻ¸ā§āϟāϞ āϏāĻŽā§‚āĻšāϕ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻ­āĻžāϗ⧇ āĻ­āĻžāĻ— āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇, āϝāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻ• āĻāϞāĻžāĻ•āĻž, āĻĒā§āϰāĻ•āĻžāĻļāĻ•-āĻŦāĻŋāĻ•ā§āϰ⧇āϤāĻž āĻāϞāĻžāĻ•āĻž, āϏāϰāĻ•āĻžāϰāĻŋ-āĻŦ⧇āϏāϰāĻ•āĻžāϰāĻŋ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ, āĻļāĻŋāĻļ⧁ āĻ•āĻ°ā§āύāĻžāϰ āĻ“ āϞāĻŋāϟāϞ āĻŽā§āϝāĻžāĻ—āĻžāϜāĻŋāύ āĻ…āĻ¨ā§āϝāϤāĻŽāĨ¤ āφāϰ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻŦāχ āĻŽā§‡āϞāĻž āϚāĻ¤ā§āĻ¤ā§āĻŦāϰāϕ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻ–ā§āϝāĻžāϤāύāĻžāĻŽāĻž āĻŦā§āϝāĻ•ā§āϤāĻŋāĻŦāĻ°ā§āĻ— āĻŦāĻŋāĻļ⧇āώ āĻ•āϰ⧇ āĻ­āĻžāώāĻž āĻļāĻšā§€āĻĻ āϏāĻžāϞāĻžāĻŽ, āϰāĻĢāĻŋāĻ•, āĻŦāϰāĻ•āϤ, āϜāĻŦā§āĻŦāĻžāϰ āĻāĻŦāĻ‚ āϏāĻžāĻšāĻŋāĻ¤ā§āϝāĻŋāĻ• āĻŦāĻŋāĻļā§āĻŦāĻ•āĻŦāĻŋ āϰāĻŦāĻŋāĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰ, āĻŦāĻŋāĻĻā§āϰ⧋āĻšā§€ āĻ•āĻŦāĻŋ āĻ•āĻžāĻœā§€ āύāϜāϰ⧁āϞ āχāϏāϞāĻžāĻŽ, āĻŦāĻšā§ āĻ­āĻžāώāĻžāĻŦāĻŋāĻĻ āĻĄ. āĻŽā§āĻšāĻžāĻŽā§āĻŽāĻĻ āĻļāĻšā§€āĻĻ⧁āĻ˛ā§āϞāĻžāĻš āĻ“ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āĻŦāĻŋāĻļāĻžāϰāĻĻ āφāĻŦā§āĻĻ⧁āϞ āĻ•āϰāĻŋāĻŽ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝāĨ¤ āĻāĻ›āĻžā§œāĻž āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāϰāĻ•āĻžāϰāĻŋ āĻ¸ā§āϟāϞ āĻ“ āĻŦ⧇āϏāϰāĻ•āĻžāϰāĻŋ āϏ⧇āĻŦāĻžāĻĻāĻžāϤāĻž āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ āϏāĻš āύāϤ⧁āύ āĻŦāχ āĻāϰ āĻŽā§‹ā§œāĻ• āωāĻ¨ā§āĻŽā§‹āϚāύ āĻŽāĻžā§āϚ āĻ“ āϞ⧇āĻ–āĻ• āĻ•āĻ°ā§āĻŖāĻžāϰ āĻāĻŦāĻ‚ āĻŽāĻŋāĻĄāĻŋ⧟āĻž āϏ⧇āĻ¨ā§āϟāĻžāϰ āĻ“ āϤāĻĨā§āϝ āϕ⧇āĻ¨ā§āĻĻā§āϰ āĻāϰ āωāĻĒāĻ¸ā§āĻĨāĻŋāϤāĻŋāϤ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āφāϰāĻ“ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻšā§Ÿā§‡ āĻ“āϠ⧇āĨ¤ āĻŽā§‹ā§œāĻ• āωāĻ¨ā§āĻŽā§‹āϚāύ āĻŽāĻžā§āϚ āĻĨ⧇āϕ⧇ āĻĒā§āϰāϤāĻŋāύāĻŋ⧟āϤ āύāϤ⧁āύ āĻŦāχ āĻāϰ āύāĻžāĻŽ āĻ“ āϞ⧇āĻ–āĻ• āĻāϰ āĻĒāϰāĻŋāϚ⧟ āĻ˜ā§‹āώāĻŋāϤ āĻšāϤ⧇ āĻĨāĻžāϕ⧇, āφāϰ āϞ⧇āĻ–āĻ• āĻ•āĻ°ā§āĻŖāĻžāϰ āĻŦāĻž āϞ⧇āĻ–āĻ•āϕ⧁āĻžā§āĻœā§‡ āϞ⧇āĻ–āĻ•-āĻĒāĻžāĻ āϕ⧇āϰ āĻ•ā§āϞāĻžāĻ¨ā§āϤāĻŋāĻšā§€āύ āĻŽāϤ āĻŦāĻŋāύāĻŋāĻŽā§Ÿ āϚāĻ•ā§āϰ āϚāϞāĻŽāĻžāύ āĻĨāĻžāϕ⧇āĨ¤ āĻŦāχ āĻŽā§‡āϞāĻžā§Ÿ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻŦāĻ‡ā§Ÿā§‡āϰ āĻ•āĻĒāĻŋāϰāĻžāχāϟ āĻŦāĻž āĻŽā§‡āϧāĻžāϏāĻ¤ā§āĻ¤ā§āĻŦ āφāχāύ āϞāĻ™ā§āϘāύ āϰ⧋āϧ⧇ āĻāĻ•āϟāĻŋ āĻŦāĻŋāĻļ⧇āώ āϟāĻžāĻ¸ā§āĻ•āĻĢā§‹āĻ°ā§āϏ āĻĒā§āϰāĻ¸ā§āϤ⧁āϤ āĻĨāĻžāϕ⧇, āϝāĻžāϰāĻž āĻ•āĻŋāύāĻž āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āĻ“ āĻļāĻŋāĻ•ā§āώāĻžāϏāĻšāĻžā§ŸāĻ• āĻĒāϰāĻŋāĻŦ⧇āĻļ āĻ“ āϤāĻĨā§āϝ āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž āϰāĻ•ā§āώāĻžāϰ āĻ•āĻžāĻœā§‡āĻ“ āύāĻŋā§Ÿā§‹āϜāĻŋāϤ āĻĨāĻžāϕ⧇āĨ¤ āωāĻ˛ā§āϞ⧇āĻ–ā§āϝ, āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āĻŽā§‡āϞāĻž āύāĻŋ⧟āĻ¨ā§āĻ¤ā§āϰāĻŖ āĻāϰ āϝāĻžāĻŦāĻ¤ā§€ā§Ÿ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦ āĻ—āĻŖāĻĒā§āϰāϜāĻžāϤāĻ¨ā§āĻ¤ā§āϰ⧀ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāϰāĻ•āĻžāϰ āĻāϰ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āĻŦāĻŋāώ⧟āĻ• āĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖāĻžāϞ⧟ āĻĒāĻžāϞāύ āĻ•āϰ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āφāϞ⧋āϚāύāĻž āϏāĻ­āĻž, āĻ•āĻŦāĻŋāϤāĻž āĻĒāĻžāϠ⧇āϰ āφāϏāϰ āĻ“ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻ…āύ⧁āĻˇā§āĻ āĻžāύ āĻŦāχ āĻŽā§‡āϞāĻžāϕ⧇ āϏāĻ°ā§āĻŦāĻĻāĻž āϏāϰāĻŦ āϰāĻžāϖ⧇āĨ¤

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āĻ¸ā§āĻĨāĻŋāϰ-āϚāĻŋāĻ¤ā§āϰāσ āĻĒā§āϰāĻĨāĻŽ āφāϞ⧋

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āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž ā§§ āϞāĻž āĻĢ⧇āĻŦā§āϰ⧁⧟āĻžāϰāĻŋ ⧍ā§Ļā§¨ā§Š āĻ āĻļ⧁āϰ⧁ āĻšāϤ⧇ āϝāĻžāĻšā§āϛ⧇ āĨ¤ ⧍⧧āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āφāϗ⧇ āϏāĻžāϧāĻžāϰāĻŖāϤ ā§§āϞāĻž āĻĢ⧇āĻŦā§āϰ⧁⧟āĻžāϰāĻŋ āĻĨ⧇āϕ⧇ ⧍⧧āĻļ⧇ āĻĢ⧇āĻŦā§āϰ⧁⧟āĻžāϰāĻŋ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϏāĻžā§œāĻŽā§āĻŦāϰ⧇ āĻĒāĻžāϞāĻŋāϤ āĻšāϤ, āĻāϰāĻĒāϰ āĻ•ā§āϰ⧇āϤāĻž-āĻŦāĻŋāĻ•ā§āϰ⧇āϤāĻžāĻĻ⧇āϰ āφāĻŦ⧇āĻĻāύ⧇āϰ āĻĒāϰāĻŋāĻĒ⧇āĻ•ā§āώāĻŋāϤ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āĻĢ⧇āĻŦā§āϰ⧁⧟āĻžāϰāĻŋāϰ āĻļ⧇āώ āĻĻāĻŋāύ āĻ…āĻŦāϧāĻŋ āĻŽāĻšāĻžāϏāĻŽāĻžāϰ⧋āĻšā§‡ āϚāϞāϤ⧇ āĻĨāĻžāϕ⧇āĨ¤ āĻ…āĻŽāϰ āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž ⧍ā§Ļā§¨ā§Š -āĻ āĻĒā§āϰāĻŦ⧇āĻļ⧇āϰ āϜāĻ¨ā§āϝ āϛ⧁āϟāĻŋāϰ āĻĻāĻŋāύ āĻ“ āϛ⧁āϟāĻŋāϰ āĻĻāĻŋāύ āĻŦā§āϝāĻžāϤāĻŋāϤ āφāϞāĻžāĻĻāĻž āφāϞāĻžāĻĻāĻž āϏāĻŽā§ŸāϏ⧀āĻŽāĻž āĻŦāϰāĻžāĻĻā§āĻĻ āĻĨāĻžāϕ⧇āĨ¤ āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž ⧍ā§Ļā§¨ā§Š āϏāĻŽā§ŸāϏ⧂āĻšā§€ āĻĨ⧇āϕ⧇ āϜāĻžāύāĻž āϝāĻžā§Ÿ āϝ⧇, āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻŦāĻŋāĻ•āĻžāϞ ā§Š āϟāĻž āĻĨ⧇āϕ⧇ āϰāĻžāϤ ā§Ž āϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāχ āĻŽā§‡āϞāĻž āϚāĻžāϞ⧁ āĻĨāĻžāĻ•āĻŦ⧇āĨ¤ āϏāĻžāĻĒā§āϤāĻžāĻšāĻŋāĻ• āϛ⧁āϟāĻŋāϰ āĻĻāĻŋāύ⧇ āϏāĻ•āĻžāϞ ā§§ā§§ āϟāĻž āĻĨ⧇āϕ⧇ āϰāĻžāϤ ā§Ž āϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦāχ āĻŽā§‡āϞāĻž āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύāĨ¤ āφāϰ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ ⧍⧧āĻļ⧇ āĻĢ⧇āĻŦā§āϰ⧁⧟āĻžāϰāĻŋāϤ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āĻ–ā§‹āϞāĻž āĻĨāĻžāĻ•āĻŦ⧇ āϏāĻ•āĻžāϞ ā§Ž āϟāĻž āĻĨ⧇āϕ⧇ āϰāĻžāϤ ⧝ āϟāĻž āĻĒāĻ°ā§āϝāĻ¨ā§āϤāĨ¤ āĻŦāχ āĻŽā§‡āϞāĻžā§Ÿ āĻĒā§āϰāĻŦ⧇āĻļāĻžāϧāĻŋāĻ•āĻžāϰ āϏāĻ•āϞ⧇āϰ āϜāĻ¨ā§āϝāχ āωāĻ¨ā§āĻŽā§āĻ•ā§āϤ āĻ“ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻĢā§āϰ⧀āĨ¤

āĻŦāĻ°ā§āϤāĻŽāĻžāύ āϤāĻĨā§āϝ āĻĒā§āϰāϝ⧁āĻ•ā§āϤāĻŋāϰ āĻāχ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ āϝ⧁āϗ⧇ āĻŦāχ āĻĒ⧜āĻžāϰ āĻŽāĻžāύ⧁āώ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻ“ā§ŸāĻžāϟāĻž āĻ•āĻŋāϛ⧁āϟāĻž āĻšāϞ⧇āĻ“ āĻĻ⧁āĻˇā§āĻ•āϰāĨ¤ āϤāĻŦ⧇ āĻ•āĻŋ āĻāχ āĻĻ⧃āĻļā§āϝāĻĒāϟ āĻĨ⧇āϕ⧇ āĻĒāϰāĻŋāĻ¤ā§āϰāĻžāϪ⧇āϰ āϕ⧋āύ āωāĻĒāĻžā§Ÿ āύ⧇āχ? āĻŽā§‹āĻ–ā§āϝāĻŽ āωāĻĒāĻžā§Ÿ āĻ…āĻŦāĻļā§āϝ āφāϛ⧇ āĻāχ āĻāĻ•āϟāĻžāχ; āϤāϰ⧁āĻŖ āĻĒā§āϰāϜāĻ¨ā§āĻŽāϕ⧇ āĻŦāχ āĻĒ⧜āĻžā§Ÿ āφāĻ•ā§ƒāĻˇā§āϟ āĻ•āϰāϤ⧇ āĻŦāχāĻŽā§‡āϞāĻžāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ āĻ“ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧāϤāĻž āϝ⧇āύ āĻŦāϞ⧇ āĻļ⧇āώ āĻ•āϰāĻžāϰ āĻŽāϤ āύ⧟āĨ¤ āĻ…āĻŽāϰ āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āϝ⧇āχ āϗ⧁āϰ⧁ āĻĻāĻžāϰāĻŋāĻ¤ā§āĻŦ āĻŦāĻšāύ āĻ•āϰ⧇ āϚāϞ⧇āϛ⧇ āϝ⧁āĻ— āĻĨ⧇āϕ⧇ āϝ⧁āĻ—āĻžāĻ¨ā§āϤāϰ⧇āĨ¤ āĻāϕ⧁āĻļ⧇ āĻŦāχ āĻŽā§‡āϞāĻž āϤ⧋ āĻŦāĻžāĻ™āĻžāϞāĻŋāϰ āϏ⧇āχ āĻĒā§āϰāĻžāϪ⧇āϰ āĻŽā§‡āϞāĻž, āϝ⧇āĻĨāĻžā§Ÿ āϞ⧇āĻ–āĻ•-āĻĒāĻžāĻ āĻ• āĻāϰ āĻŽāĻšāĻžāĻŽāϞāύ⧇ āφāĻĒāĻžāĻŽāϰ āĻŦāĻžāĻ‚āϞāĻžāϰ āϚāĻŋāϰāĻšā§‡āύāĻž āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āĻ“ āϏ⧋āύāĻžāϞāĻŋ āχāϤāĻŋāĻšāĻžāϏ āϝ⧇āύ āĻŽāĻŋāϞ⧇āĻŽāĻŋāĻļ⧇ āĻāĻ•āĻžāĻ•āĻžāϰ āĻšā§Ÿā§‡ āφāϛ⧇āĨ¤

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