Pohela Boishakh: Origin, History, Culture & Facts

Pohela Boishakh (Bangla New Year) Date – Friday, 14 April, 2023 in Bangladesh

What is Pohela Boishakh / Bangla New Year?

Bengali New Year is referred to in Bengali as “New Year” (Bengali: āĻ¨āĻŦāĻŦāĻ°ā§āĻˇ Nôbobôrsho, from Sanskrit Nava(new) BarášŖha(year) or “First of Boishakh” (Bengali: āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– Pôhela Boishakh. Nobo means new, and Borsho means year. In Bengali, Pohela stands for ‘first,’ and Baishakh is the first month of the Bengali calendar.

Bengali New Year (Bengali: āĻ¨āĻŦāĻŦāĻ°ā§āĻˇ) or Pahela Boishakh (āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–) is the first day of the Bengali calendar, celebrated in both Bangladesh and West Bengal and in Bengali communities in Assam, Tripura, and Odisha and all over India as well where the Bengali community arises. It coincides with the New Year’s Days of numerous Southern Asian calendars. Poila Boishakh connects all ethnic Bengalis irrespective of religious and regional differences. In India, in West Bengal and Assam, it is a public (state) holiday and is publicly celebrated in mid-April. Bangladesh is a national holiday celebrated around 14 April according to the official amended calendar designed by the Bangla Academy.

Pohela Boishakh at Bengal Dhaka
Celebration of Pohela Boishakh,Dhaka[Sincere Thanks to S.M. Tanvir Ayon for this Magnificent Snapshot]

Boishakh/Baishakh is the first of the Bengali months where Pohela simply means “first”. The term “Pohela Boishakh” therefore, stands for the first day of the Bengali year and naturally refers to the festivity attached to this day as well. The celebration itself is called “Borsho Boron Utsab” or “Boishakhi Utsab” (the gala of Boishakh), which is held to welcome the Nobo Borsho (New Year). It is one celebration that goes beyond geographical borders as the Bengali New Year is celebrated in the West Bengal of India as well as in Bangladesh, making it the biggest cultural festival that has survived the last few centuries where Bengalis of all walks of life come together to make it colorful, bright and joyous.

Facts about Pohela Boishakh

Here are some interesting facts about Pohela Boishakh that you may not know:

  • The traditional Bengali sweets, such as “roshogolla” and “mishti doi,” are an essential part of Pohela Boishakh and are often exchanged as gifts between friends and family members.
  • Pohela Boishakh is also celebrated in other parts of the Indian subcontinent, such as West Bengal and Assam, – The “Mongol Shobhajatra” procession, which has become synonymous with Pohela Boishakh, was recognized by UNESCO as a “Masterpiece of the Oral and Intangible Heritage of Humanity” in 2016.
  • Pohela Boishakh is also an important occasion for business and commerce, with many shops and markets offering discounts and promotions to attract customers. The day is considered auspicious for starting new ventures or making investments.
  • Pohela Boishakh has also gained global recognition in recent years, with various diaspora communities organizing cultural events and festivals in different parts of the world.

Origin & History of Pohela Boishakh:

Who Started Bengali New Year?

The story of the pohela boishakh history has a few versions. However, they all go back to one particular Mughal emperor, Akbar the Great, and the tax collecting process under his reign (1556-1609). Several hundred years ago, the economy almost entirely depended on agricultural production. In Bengal, agriculture necessarily revolved around its six seasons. Under the Mughals, the tax was collected on the basis of Arabic or Hijri year, which did not exactly go hand in hand with the seasonal cycle of this region. For instance, when it was time for the landowners to collect taxes, the peasants would still be waiting to reap their products from the fields.

This way, following a lunar calendar that hijri year was based upon proved inconvenient for all the parties involved. Realizing the urgency of reformation in the existing year system, the Baadshah (emperor) gave one of the many renowned scholars of his court, Fatelluah Shiraji, the responsibility to make the necessary amendments. The new calendar was designed to keep all six seasons’ nature, duration, and contribution to agriculture in mind. Some scholars argue that Pohela Boishakh (1st boishakh) was anything but a reason for festivity for the peasants who comprised the majority of the population when they had to pay off their taxes on the last day of Chaitra/ Choitro, the month before Boishakh.

Besides, the landlords, to collect the taxes, often subjected the grassroots people to physical force. Such circumstances were most unlikely to leave people in a mood for festivity by the time the Pohela Boishakh was knocking on their doors. Despite having enough reasons for it to be contrary, Pahela Baishakh was a time for celebration. To avoid any serious rebellion, Badshah Akbar introduced the masterfully crafted custom of the New Year celebration that took place right after the tax-paying day. The amusements and feasts that used to be arranged helped to smoothen the harshness of the tax paying and sow the hopes for a better year among all.

As mentioned earlier, the celebration of Bengali New Year, pohela Boishakh, takes place both in West Bengal and Bangladesh. But, Pahela Boishakh in Bangladesh did not receive a collective form until 1965. During the growing movement for an independent state from Pakistan that began at the end of the 1940s and continued until independence in 1971, the former Pakistani Government implemented many policies that were somewhat modified versions of the British “Divide and Rule” principle.

In other words, those policies were meant to differentiate a Bengali Muslim from others and avoid a strong, joint movement for independence. As a continuation of such steps, the Pakistani government banned poems by the Noble winning Bengali author, Shree Rabindranath Tagore. Then, Chhayanaut, the only major Fine Arts institution of the time, designed their cultural show for Poila Boishakh to be a means of protest. The Pohela Boishakh takes place under the Banyan tree of Ramna Park in Dhaka ever since it was opened with Boishakhi songs by Tagore.

This way, Pohela Boishak became one with the nationalist notions of the Bengali people who resided in East Pakistan, known as Bangladesh today. The Fine Arts Institute (CharuKala Institute) of Dhaka University enhanced the attraction of the day in the late 1980s by adding Boishakhi Parade (Shobha Jatra) to ensure growing participation and acceptance. Soon, an attempt by a few hundred people to uphold the Bengali traditions and unify Bengalis while doing it transformed into a national event.

The Bengali New Year celebration in West Bengal also ties to religious values. The entire month of Boishakh is considered auspicious. Therefore, the first day by itself is reason enough for festivity. For the Hindu, the day begins with Puja (religious ritual) followed by cultural shows. Because it is considered auspicious, Boishakh is the month when most Hindu weddings occur in both Bengals.

Aspects & Activities of Pohela Boishakh:

How is Pohela boishakh celebrated?

In Bangladesh, the day begins before the break of dawn when a crowd gathers in Ramna Park for the Cultural show held by Chhayanat every year. Women mainly wear white Sharee (tips for women’s fashion on pohela boishakh) with a red border. Since Boishakh brings spring, women adorn their hair with flowers and wear colorful churi (bangles), symbolizing the many colors and renewed life in nature. On the other hand, men mainly wear traditional Punjabi (Panjabi price in Bangladesh) with Paayjama, Lungi, or Dhuti/Dhoti.

  • Boishakhi Parade (Mongol Shova jatra): Boishakhi Mongol Shobha Jatra is one of the biggest attractions of the day. The rally starts at the CharuKala Institute of Dhaka University very early in the morning.
Mongal Shobhajatra Pohela Boishakh
Mongal Sobhajatra in Pohela Boishakh
  • Boishakhi Fair (Mela):

    It is arranged all over the country and continues for at least a week. A wide range of products and activities make the fair attractive to all age groups. Find their way here, from home accessories to anything and everything that speaks Bengali authenticity. One of the fun aspects of the Boishakhi Mela is the joy ride like the Merry-Go-Round and Ferris wheel. The ones seen in this fair are different in that they are much smaller, with a simpler structure made of wood and bamboo and lacking engines to run them. Instead, two or more men stand beside these rides to push.

pohela boishakhi mela
Fair in Pohela Boishakh
  • Alpona:

    In the front yard and staircases, miniature Aalponas or Rangolies, traditional designs, are drawn using bright colors like red, green, blue,

    and yellow, as well as powdered rice. Drawing gigantic Aalponas on the main streets and walls all night long is one fun activity in which both males and females participate

    .

boishakhi alpona art at dhaka
Pohela Baishakh 1421 adorned with Airtel Alpona
 
  • Haalkhata:

    It is the ritual of closing the old Ledger and opening a new one with new entries on Pohela Boishakh. Traders involved in the gold, clothing, or food business send out invitations to old customers and entertain them with sweets.

         On the 1st day of Pohela Boishakh,businessmen greets their customers with sweets,
          commence a “Halkhata”(new ledger)& lock their old ones. Source:Star file photo
  • Sports:

    Rural sports such as Nouka Baich (boat race), Kite flying, Bull Racing, and flying pigeons are popular.

noukabaich at pohela boishakh
               Nouka Baich (Boat Racing) Image Source : worldphoto.org

Cultural Activities of Pohela Boishakh

Folk songs such as Palagan, kavigan, Jarigan, Gambhira gan, Gazirgan, baul, marfati, murshidi and bhatiali songs are staged. So are Jatra (one kind of plays) and other form of Bengali performing arts.

Pohela Boishakh in Dhaka

New Year’s festivities are closely linked with rural life in Bengal. Usually, on Pahela Boishakh, the home is thoroughly scrubbed and cleaned; people bathe early in the morning and dress in fine clothes. They spend much of the day visiting relatives, friends, and neighbors. Special foods are prepared to entertain guests. This rural festival has become enormously big in the cities, especially in Dhaka.

Boishakhi fairs are arranged in many parts of the country. Various agricultural products, traditional handicrafts, toys, cosmetics, as well as various kinds of food and sweets are sold at these fairs. The fairs also provide entertainment, with singers and dancers staging jatra (traditional plays), pala gan, kobiganjarigan, gambhira gan, gazir gan and alkap gan. They present folk songs as well as baul, marfatimurshidi and bhatiali songs. Narrative plays like Laila-Majnu, Yusuf-Zulekha and Radha-Krishna are staged. Among other attractions of these fairs are puppet shows and merry-go-rounds.

baul song on pohela boishakh
                         Bauls performing in Pohela Boishakh

Pohela Boishakh Games

Many old festivals connected with New Year’s Day have disappeared, while new festivals have been added. With the abolition of the zamindari system, the punya connected with the closing of land revenue accounts has disappeared. Kite flying in Dhaka and bull racing in Munshiganj used to be very colorful events. Other popular village games and sports were horse races, bullfights, cockfights, flying pigeons, and boat racing. Some festivals, however, continue to be observed; for example, bali (wrestling) in Chittagong and gambhira in Rajshahi are still popular events.

Pohela Boishakh Food

Observance of Pohela Boishakh has become popular in the cities. Early in the morning, people gather under a big tree or on the bank of a lake to witness the sunrise. Artists present songs to usher in the new year. People from all walks of life wear traditional Bengali attire: young women wear white saris with red borders and adorn themselves with churi bangles, ful flowers, and tips (bindis). Men wear white paejama(pants) or lungi(dhoti/dhuti) (long skirt) and kurta (tunic). Many townspeople start the day with the traditional breakfast of panta bhat (rice soaked in water), green chilies, onion, and fried hilsa fish.

pohela boishakh foods with hilsha fish

Panta Ilish(āĻĒāĻžāĻ¨ā§āĻ¤āĻž āĻ‡āĻ˛āĻŋāĻļ) – a traditional platter of leftover rice soaked in water with fried Hilsa(āĻ‡āĻ˛āĻŋāĻļ), supplemented with dried fish (Shutki/āĻļā§āĻāĻŸāĻ•ā§€), pickles (Achar), lentils (dal), green chilies and onion – a popular dish for the Pohela Boishakh festival.

Pohela Boishakh Songs

The most colorful New Year’s Day festival takes place in Dhaka. Large numbers of people gather early in the morning under the banyan tree at Ramna Park, where Chhayanat artists open the day with Rabindranath Tagore’s famous pohela boishakh song, āĻāĻ¸ā§‹, āĻšā§‡ āĻŦā§ˆāĻļāĻžāĻ–, āĻāĻ¸ā§‹ āĻāĻ¸ā§‹ Esho, he Boishakh, Esho Esho (Come, O Boishakh, Come, Come). A similar ceremony welcoming the new year is also held at the Institute of Fine Arts, University of Dhaka. Students and teachers of the institute take out a colorful procession and parade around the campus. Social and cultural organizations celebrate the day with cultural programs. Newspapers bring out special supplements. There are also special programs on the radio and television.

borshoboron at ramna batomul
           Borsho Boron at Ramna Botomul. Source : bdnews24 photo archive

The historical importance of Pohela Boishakh in the Bangladeshi context may be dated from the observance of the day by Chhayanat in 1965. In an attempt to suppress Bengali culture, the Pakistani Government banned poems written by Rabindranath Tagore, the most famous poet, and writer in Bengali literature. Protesting this move, Chhayanat opened their Pohela Boishakh celebrations at Ramna Park with Tagore’s song welcoming the month. The day continued to be celebrated in East Pakistan as a symbol of Bengali culture. After 1972 it became a national festival, a symbol of the Bangladesh nationalist movement, and an integral part of the people’s cultural heritage. Later, in the mid-1980s, the Institute of Fine Arts added color to the day by initiating the Boishakhi parade, which is much like a carnival parade.

CHOTTOGRAM, Bangladesh | āĻšāĻŸā§āĻŸāĻ—ā§āĻ°āĻžāĻŽ, āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļ

The center of attraction of the Pohela Boishakh celebrations in the port city Chottogram is the DC Hill Park [āĻĄāĻŋāĻ¸āĻŋ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĒāĻžāĻ°ā§āĻ•]. Sammilitō Sanskritik Jot [āĻ¸āĻŽā§āĻŽāĻŋāĻ˛āĻŋāĻ¤ āĻ¸āĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāĻ¤āĻŋāĻ• āĻœā§‹āĻŸ] organizes a two-day festival to bid farewell to the old year and welcome the New Year. Various cultural events are organized here, including plays, etc. The public celebration of Poyela Boishakh in Chottogram was started in 1973; the politicians took the initiative to promote Bengali culture.

festive mood in pohela boishakh
        Festive Mood in Chattogram DC Hill. Image Source: Daily Asian age.
  • Chottogram Hill Tracts | āĻšāĻŸā§āĻŸāĻ—ā§āĻ°āĻžāĻŽā§‡āĻ° āĻĒāĻžāĻ°ā§āĻŦāĻ¤ā§āĻ¯ āĻœā§‡āĻ˛āĻž :

    In the Hill tracts of Chattogram, three different ethnic minority groups have their individual New Year celebrations. Boisuk [āĻŦā§ˆāĻļā§āĻ–] of Tripura People, Sangrai [āĻ¸āĻžāĻ‚āĻ—ā§āĻ°āĻžāĻ‡] of Marma people, and Biju [āĻŦāĻŋāĻœā§] of Chakma people; presently they have come together to celebrate it commonly as Boi-Sa-Bi [āĻŦā§ˆ-āĻ¸āĻž-āĻŦāĻŋ], a day of a wide variety of festivities; especially need to mention the water festival [āĻœāĻ˛ āĻ‰ā§ŽāĻ¸āĻŦ] of the Marma people.

KHULNA, Bangladesh | āĻ–ā§āĻ˛āĻ¨āĻž, āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļ

College students make great effort in designing festoons, banners, and colorful masks for this event. A newly formed non-governmental cultural organization Shokha Moyukh celebrated Pohela Boishakh at the campus of Govt. B L College, Khulna. The rally was followed by a cultural function at the campus. The event was organized by the students with support from the college faculty. Pohela Boishakh is celebrated in Khulna with enormous joy and enthusiasm. People from all walks of life take part in the Borshoboron Rally (āĻŦāĻ°ā§āĻˇāĻŦāĻ°āĻŖ āĻĒāĻĻāĻ¯āĻžāĻ¤ā§āĻ°āĻž) organized by Khulna Sonskriti Kendro(āĻ–ā§āĻ˛āĻ¨āĻž āĻ¸āĻ‚āĻ¸ā§āĻ•ā§ƒāĻ¤āĻŋ āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ°).

              Inauguration of Pohela Baishakh Ceremony, 1423 at Khulna

Kolkata and West Bengal | āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻāĻŦāĻ‚ āĻĒāĻļā§āĻšāĻŋāĻŽ āĻŦāĻ™ā§āĻ—

Kolkata, the sovereign of Bengalis in India; witnesses some of the grand celebrations of Poyela Boishakh. In Kolkata and the rest of Indian/West Bengal, Poyela Boishakh and indeed the entire month of Boishakh is considered an auspicious time for marriages, opening of new business ventures etc. Choitro is the Last month of the Bangla year; the garment traders give special discounts throughout the month. The last day of Choitro, is celebrated as Choitro Sankranti among the Hindu community, and Charak Pujo is held on this day. On this very same day, Charak Mela/fair is organized in various parts of rural Bengal; some really miraculous acrobatics are performed by the members and these stunts are quite risky indeed.

boishakh jatra at pohela boishakh
Boishakhi Jatra, AJC Bose Road, Kolkata
Courtesy: New Year Photo Gallery Blog

Pohela Boishakh is also the occasion when the whole family comes for a get together; youngsters touch feet of elders seeking benediction (āĻ†āĻļā§€āĻ°ā§āĻŦāĻžāĻĻ), and peers greet each other Suvo Nôbobôrsho with a hug (KolakuliāĻ•āĻ˛āĻžāĻ•ā§āĻ˛āĻŋ). The celebration remains incomplete without “mishti mukh” exchanging sweets with the near and dear ones. The day of Poyela Boishakh is a day of cultural events. Like Bangladesh, here also people wake up & bathe early in the morning and dress up in traditional Bengali attire. Many go for Probhat Pheri (a parade similar to “Shobhajatra” in Bangladesh, but it’s not as colorful as that) to welcome the first day of the New Year singing Rabindra Sangeet, here also the song “āĻāĻ¸ā§‹, āĻšā§‡ āĻŦā§ˆāĻļāĻžāĻ–, āĻāĻ¸ā§‹ āĻāĻ¸ā§‹â€Esho, he Boishakh, Esho Esho is very popular.

Businessmen open new accounting books (HalKhata) on this day; for the Bengali Hindu businessmen, HalKhata begins only after performing puja, “Swastik” sign is drawn on the HalKhata by the priests. Devotees are seen in front of the Kalighat temple (āĻ•āĻžāĻ˛ā§€āĻ˜āĻžāĻŸ āĻŽāĻ¨ā§āĻĻāĻŋāĻ°) in long queues late at night. Devotees offer Puja to receive the blessings of the almighty.

The Government of West Bengal organizes various fairs and cultural events in different parts of the state. The most famous of these is Bangla Sangit Mela(āĻ°āĻŦā§€āĻ¨ā§āĻĻā§āĻ° āĻ¸āĻ™ā§āĻ—ā§€āĻ¤), held at Nandan-Rabindra Sadan ground.

OTHER NATIONS | āĻ…āĻ¨ā§āĻ¯āĻžāĻ¨ā§āĻ¯ āĻĻā§‡āĻļ

Apart from Bengal, Poyela Boishakh is also celebrated by the Bengali community living in the United Kingdom, the United States of America, Australia, etc.

Pohela Boishakh celebrations also mark a day of cultural unity without distinction between class or religious affiliations. Of the major holidays celebrated in Bangladesh, only Pohela Boishakh comes without any preexisting expectations (specific religious identity, gift-giving culture, etc.). Unlike holidays like Eid ul-Fitr, where dressing up in lavish clothes has become a norm, or Christmas, where exchanging gifts has become an integral part of the holiday, Pohela Boishakh is really about celebrating the simpler, rural roots of the Bengal. As a result, more people can participate in the festivities together without the burden of having to reveal one’s class, religion, or financial capacity.

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Frequently Asked Questions

Q: How is Pohela Boishakh celebrated outside of Bangladesh?

A: Pohela Boishakh is celebrated by Bengali communities and diaspora around the world, with cultural programs, music and dance performances, and traditional food fairs. It is also recognized as a public holiday in some countries, such as India and Nepal.

Q: What are some traditional foods eaten during Pohela Boishakh?

A: Some traditional foods eaten during Pohela Boishakh include “panta bhat” (fermented rice), “dal puri” (lentil-stuffed bread), “beguni” (deep-fried eggplant fritters), “shorshe ilish” (mustard-flavored hilsa fish), and “mishti doi” (sweet yogurt).

Q: What are some common greetings used during Pohela Boishakh?

A: Some common greetings used during Pohela Boishakh include “Shubho Noboborsho” (Happy New Year), “Shubho Nabo Barsho” (Happy New Year), and “Naba Barshaar Preeti O Subhechha” (Greetings and Wishes for the New Year).

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āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž ā§§ā§Ēā§¨ā§¯

āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻžā§Ÿ āĻ¸āĻŦāĻžāĻ‡āĻ•ā§‡ āĻ¸ā§āĻŦāĻžāĻ—āĻ¤āĻŽ

āĻĻāĻžāĻ°āĻžāĻœ āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻĒāĻ•ā§āĻˇ āĻĨā§‡āĻ•ā§‡ āĻ¸āĻŦāĻžāĻ‡āĻ•ā§‡ āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻ¤ā§āĻ¨ āĻŦāĻ›āĻ°ā§‡āĻ° āĻļā§āĻ­ā§‡āĻšā§āĻ›āĻž āĻ“ āĻ…āĻ­āĻŋāĻ¨āĻ¨ā§āĻĻāĻ¨āĨ¤ āĻāĻ¤āĻŋāĻšā§āĻ¯ā§‡āĻ° āĻ§āĻžāĻ°āĻžāĻŦāĻžāĻšāĻŋāĻ•āĻ¤āĻžā§Ÿ, āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻ¸āĻ°ā§āĻŦāĻŦā§ƒāĻšā§Ž āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚ āĻŽāĻ˛ āĻĻāĻžāĻ°āĻžāĻœ āĻĒā§āĻ°āĻ¤āĻŋ āĻŦāĻ›āĻ°ā§‡āĻ° āĻ¨ā§āĻ¯āĻžā§Ÿ āĻāĻŦāĻžāĻ°āĻ“ āĻ•ā§āĻ°ā§‡āĻ¤āĻžāĻĻā§‡āĻ° āĻ•āĻžāĻ›ā§‡ āĻšāĻžāĻœāĻŋāĻ° āĻšā§Ÿā§‡āĻ›ā§‡ āĻĻā§‡āĻļā§‡āĻ° āĻ¸āĻ°ā§āĻŦāĻŦā§ƒāĻšā§Ž āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž ā§§ā§Ēā§¨ā§¯ āĻ¨āĻŋā§Ÿā§‡āĨ¤ āĻ•ā§āĻ°ā§‡āĻ¤āĻžāĻ°āĻž āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻ‰āĻĒāĻ˛āĻ•ā§āĻˇā§āĻ¯ā§‡ āĻāĻ‡ āĻŦā§ƒāĻšā§Ž āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻŽā§‡āĻ˛āĻžā§Ÿ āĻ‰āĻĒāĻ­ā§‹āĻ— āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°āĻŦā§‡āĻ¨ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻĒāĻŖā§āĻ¯ā§‡ āĻ†āĻ•āĻ°ā§āĻˇāĻŖā§€ā§Ÿ āĻ›āĻžā§œāĨ¤ āĻšāĻŽāĻ• āĻ¨āĻŋā§Ÿā§‡ āĻ†āĻ¸āĻž āĻĻā§‡āĻļā§‡āĻ° āĻ¸āĻ°ā§āĻŦāĻŦā§ƒāĻšā§Ž āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻŽā§‡āĻ˛āĻžā§Ÿ āĻĻāĻžāĻ°āĻžāĻœ āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻ¸āĻžāĻĨā§‡āĻ‡ āĻĨāĻžāĻ•ā§āĻ¨āĨ¤

āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻŋāĻ‰ āĻ‡ā§ŸāĻžāĻ° (āĻ¨āĻŦāĻŦāĻ°ā§āĻˇ)

āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻŋāĻ‰ āĻ‡ā§ŸāĻžāĻ° āĻšāĻ˛ āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻ¤ā§āĻ¨ āĻŦāĻ›āĻ°ā§‡āĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻŽāĻžāĻ¸ āĻŦā§ˆāĻļāĻžāĻ–ā§‡āĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻĻāĻŋāĻ¨āĨ¤ āĻŦāĻžāĻ‚āĻ˛āĻž āĻ­āĻžāĻˇāĻžā§Ÿ “āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻŋāĻ‰ āĻ‡ā§ŸāĻžāĻ°â€ āĻ•ā§‡ āĻŦāĻ˛āĻž āĻšā§Ÿ “āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–”āĨ¤ āĻ¸āĻžāĻ§āĻžāĻ°āĻŖāĻ¤ āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻĻāĻŋāĻ¨āĻŸāĻž āĻšā§Ÿ āĻ‡āĻ‚āĻ°ā§‡āĻœāĻŋ āĻŦāĻ›āĻ°ā§‡āĻ° āĻšāĻ¤ā§āĻ°ā§āĻĨ āĻŽāĻžāĻ¸ āĻāĻĒā§āĻ°āĻŋāĻ˛ā§‡āĻ° ā§§ā§Ē āĻ¤āĻžāĻ°āĻŋāĻ–āĨ¤ āĻļā§āĻ§ā§ āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļ āĻ¨ā§Ÿ, āĻŦāĻŋāĻļā§āĻŦā§‡āĻ° āĻ¸āĻŽāĻ—ā§āĻ° āĻŦāĻžāĻ™ā§āĻ—āĻžāĻ˛ā§€āĻ°āĻžāĻ‡ āĻ āĻ‰ā§ŽāĻ¸āĻŦāĻŸāĻŋāĻ•ā§‡ āĻāĻ¤āĻŋāĻšā§āĻ¯āĻ—āĻ¤āĻ­āĻžāĻŦā§‡ āĻĒāĻžāĻ˛āĻ¨ āĻ•āĻ°ā§‡ āĻ†āĻ¸āĻ›ā§‡āĨ¤

pohela boishakh (āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–) - Daraz BD (āĻĻāĻžāĻ°āĻžāĻœ)

āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻŋāĻ‰ āĻ‡ā§ŸāĻžāĻ° āĻŦāĻž āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–ā§‡āĻ° āĻāĻ¤āĻŋāĻšā§āĻ¯ āĻ“ āĻ‰ā§ŽāĻ¸āĻŦ

āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻŦāĻžāĻ™ā§āĻ—āĻžāĻ˛ā§€āĻĻā§‡āĻ° āĻāĻ•āĻŸāĻŋ āĻāĻ¤āĻŋāĻšā§āĻ¯āĻŦāĻžāĻšā§€ āĻšāĻŋāĻ°āĻžā§ŸāĻ¤ āĻ‰ā§ŽāĻ¸āĻŦāĨ¤ āĻāĻŸāĻŋ āĻŦāĻžāĻ‚āĻ˛āĻž āĻĒāĻžā§āĻœāĻŋāĻ•āĻžāĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻĻāĻŋāĻ¨āĨ¤ āĻŦāĻžāĻ™ā§āĻ—āĻžāĻ˛ā§€āĻ°āĻž āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻ…āĻ¨ā§āĻˇā§āĻ āĻžāĻ¨āĻŸāĻŋāĻ•ā§‡ āĻ¸āĻŦāĻšā§‡ā§Ÿā§‡ āĻŦā§‡āĻļā§€ āĻŽāĻ°ā§āĻ¯āĻžāĻĻāĻž āĻĻā§‡ā§Ÿ āĻāĻŦāĻ‚ āĻŽāĻ¨ā§‡āĻĒā§āĻ°āĻžāĻŖā§‡ āĻ­āĻžāĻ˛āĻŦāĻžāĻ¸ā§‡āĨ¤ āĻļā§āĻ­āĻžāĻ•āĻžāĻ‚āĻ–ā§€āĻĻā§‡āĻ° “āĻļā§āĻ­ āĻ¨āĻŦāĻŦāĻ°ā§āĻˇ” āĻŦāĻ˛ā§‡ āĻ¸ā§āĻŦāĻžāĻ—āĻ¤ āĻœāĻžāĻ¨āĻžā§Ÿ āĻāĻŦāĻ‚ āĻĒā§āĻ°āĻ¨ā§‹ āĻŦāĻ›āĻ°ā§‡āĻ° āĻ¸āĻ•āĻ˛ āĻšāĻŋāĻ¸ā§‡āĻŦ-āĻ¨āĻŋāĻ•ā§‡āĻļ, āĻĻā§āĻƒāĻ–-āĻ•āĻˇā§āĻŸ āĻ­ā§āĻ˛ā§‡ “āĻšāĻžāĻ˛āĻ–āĻžāĻ¤āĻž” āĻ¨āĻžāĻŽāĻ• āĻāĻ• āĻ…āĻ¨ā§āĻˇā§āĻ āĻžāĻ¨ā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻ¨āĻŦāĻŦāĻ°ā§āĻˇāĻ•ā§‡ āĻŦāĻ°āĻŖ āĻ•āĻ°ā§‡ āĻ¨ā§‡ā§ŸāĨ¤

āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–ā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻšāĻžāĻ‡ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻĒā§‹āĻļāĻžāĻ•

āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–ā§‡āĻ° āĻŦāĻŋāĻļā§‡āĻˇ āĻĻāĻŋāĻ¨ā§‡ āĻ°āĻŽāĻ¨āĻžāĻ° āĻŦāĻŸāĻŽā§‚āĻ˛ā§‡ āĻŦāĻ°ā§āĻˇāĻŦāĻ°āĻŖ āĻ•āĻ°āĻ¤ā§‡ āĻŦā§‡āĻ° āĻšāĻ“ā§ŸāĻžāĻ° āĻĒāĻ°āĻŋāĻ•āĻ˛ā§āĻĒāĻ¨āĻž āĻŽāĻžāĻ¨ā§‡āĻ‡ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻĒā§‹āĻļāĻžāĻ• āĻ•ā§‡āĻ¨āĻžāĻ° āĻ§ā§āĻŽāĨ¤ āĻĒā§āĻ˛ā§āĻ¯āĻžāĻ¨āĻŽāĻžāĻĢāĻŋāĻ• āĻĄā§āĻ°ā§‡āĻ¸ā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻ¸āĻŦāĻ•āĻŋāĻ›ā§ āĻŽā§āĻ¯āĻžāĻš āĻ•āĻ°ā§‡ āĻļāĻĒāĻŋāĻ‚ āĻ•āĻ°āĻž āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ…āĻ¤āĻŸāĻž āĻ¸āĻšāĻœāĻ¸āĻžāĻ§ā§āĻ¯ āĻ•āĻžāĻœ āĻ¨ā§ŸāĨ¤ āĻ¤āĻžāĻ° āĻ‰āĻĒāĻ° āĻŦāĻŋāĻˇā§ŸāĻŸāĻŋ āĻ¯āĻĨā§‡āĻˇā§āĻŸ āĻ¸āĻŽā§Ÿ āĻ¸āĻžāĻĒā§‡āĻ•ā§āĻˇāĻ“ āĻŦāĻŸā§‡āĨ¤ āĻŽāĻ¨ā§‡āĻ° āĻŽāĻ¤ āĻĒā§‹āĻˇāĻžāĻ• āĻ†āĻ° āĻ āĻŋāĻ•āĻ āĻžāĻ• āĻŽāĻ¤ āĻŽā§āĻ¯āĻžāĻš āĻ¨āĻž āĻšāĻ˛ā§‡ āĻ•āĻŋ āĻ†āĻ° āĻŦāĻ°ā§āĻˇāĻŦāĻ°āĻŖ āĻœāĻŽā§‡? āĻ¸āĻžāĻĻāĻž āĻ“ āĻ˛āĻžāĻ˛ āĻ°āĻ™ā§‡āĻ° āĻŽāĻŋāĻļā§āĻ°āĻŖā§‡ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻĄāĻŋāĻœāĻžāĻ‡āĻ¨ā§‡āĻ° āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻĒāĻžāĻžā§āĻœāĻžāĻŦā§€ āĻ“ āĻļāĻžā§œāĻŋ āĻ¸āĻš āĻĢāĻ¤ā§ā§ŸāĻž, āĻ˛ā§āĻ™ā§āĻ—āĻŋ, āĻĢā§āĻ˛ā§āĻ¯āĻžāĻŸ āĻ¸ā§āĻ¯āĻžāĻ¨ā§āĻĄā§‡āĻ˛, āĻ¸āĻžāĻ¨āĻ—ā§āĻ˛āĻžāĻ¸, āĻŸāĻŋāĻĒ, āĻšāĻžāĻ˛āĻ•āĻž āĻœā§ā§Ÿā§‡āĻ˛āĻžāĻ°āĻŋ, āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŦā§āĻ°ā§‡āĻ¸āĻ˛ā§‡āĻŸ āĻ›āĻžā§œāĻžāĻ“ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻ°āĻ•āĻŽā§‡āĻ° āĻĒā§‹āĻˇāĻžāĻ• āĻ“ āĻ¸āĻ°āĻžā§āĻœāĻžāĻŽāĻžāĻĻāĻŋ āĻ•ā§‡āĻ¨āĻžāĻ° āĻ§ā§āĻŽ āĻĒā§œā§‡āĨ¤ āĻ¸āĻŽā§Ÿ āĻŦāĻžāĻāĻšāĻŋā§Ÿā§‡, āĻ¸āĻžāĻļā§āĻ°ā§Ÿā§€ āĻĻāĻžāĻŽā§‡, āĻ āĻŋāĻ•āĻ āĻžāĻ• āĻŽāĻ¤ āĻŽā§āĻ¯āĻžāĻšāĻŋāĻ‚ āĻ•āĻ°ā§‡ āĻļāĻĒāĻŋāĻ‚ āĻ•āĻ°āĻžāĻ° āĻŽāĻ¤ āĻ•āĻˇā§āĻŸāĻ•āĻ° āĻ•āĻžāĻœāĻ•ā§‡ āĻŦāĻ°ā§āĻ¤āĻŽāĻžāĻ¨ āĻ¸āĻŽā§Ÿā§‡ āĻāĻ¤ā§‹āĻŸāĻž āĻ¸āĻšāĻœ āĻ•āĻ°āĻŦā§‡ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚, āĻ¯āĻž āĻ•ā§‡āĻ‰ āĻ­āĻžāĻŦā§‡āĻ¨āĻŋ āĻ†āĻ—ā§‡āĨ¤ āĻ˜āĻ°ā§‡ āĻŦāĻ¸ā§‡āĻ‡ āĻ¸āĻŽā§Ÿ āĻ¨āĻŋā§ŸāĻ¨ā§āĻ¤ā§āĻ°āĻŖā§‡ āĻ°ā§‡āĻ–ā§‡, āĻāĻ‡ āĻ¯āĻžāĻ¨ā§āĻ¤ā§āĻ°āĻŋāĻ• āĻ¨āĻ—āĻ°ā§€āĻ¤ā§‡ āĻœā§āĻ¯āĻžāĻŽ āĻĨā§‡āĻ•ā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ°āĻ•ā§āĻˇāĻž āĻ•āĻ°ā§‡ āĻāĻ–āĻ¨ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ā§‡ āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻāĻ° āĻļāĻĒāĻŋāĻ‚ āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°āĻŦā§‡āĻ¨ āĻŦā§‡āĻļ āĻ¸āĻšāĻœā§‡āĨ¤

āĻŦā§ˆāĻļāĻžāĻ–ā§‡āĻ° āĻĒā§āĻ°āĻ§āĻžāĻ¨ āĻ†āĻ•āĻ°ā§āĻˇāĻŖ āĻ¨āĻžāĻ°ā§€āĻĻā§‡āĻ° āĻļāĻžā§œāĻŋ āĻ†āĻ° āĻĒā§āĻ°ā§āĻˇāĻĻā§‡āĻ° āĻĒāĻžāĻžā§āĻœāĻžāĻŦāĻŋ

āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– āĻŽāĻžāĻ¨ā§‡āĻ‡ āĻ¸āĻŦāĻžāĻ° āĻšā§‹āĻ– āĻ…āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻĄāĻŋāĻœāĻžāĻ‡āĻ¨ā§‡āĻ° āĻ¸āĻŦ āĻļāĻžā§œāĻŋ āĻ†āĻ° āĻĒāĻžāĻžā§āĻœāĻžāĻŦāĻŋāĻ° āĻĻāĻŋāĻ•ā§‡āĨ¤ āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ–ā§‡ āĻŦāĻ°ā§āĻˇāĻŦāĻ°āĻŖā§‡ āĻ•āĻŋ āĻĒā§œā§‡ āĻ¯āĻžāĻŦā§‡āĻ¨ āĻ¤āĻž āĻ†āĻ—ā§‡āĻ‡ āĻ¸āĻŦāĻžāĻ‡ āĻ­ā§‡āĻŦā§‡ āĻ°ā§‡āĻ–ā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻļāĻĒāĻŋāĻ‚ āĻ†āĻ—ā§‡āĻ‡ āĻļā§‡āĻˇ āĻ•āĻ°ā§‡ āĻ°āĻžāĻ–ā§‡āĻ¨ āĻŦā§ˆāĻļāĻžāĻ– āĻ†āĻ° āĻāĻ¤āĻŋāĻšā§āĻ¯āĻĒā§āĻ°ā§‡āĻŽā§€ āĻŦāĻžāĻ™ā§āĻ—āĻžāĻ˛ā§€āĻ°āĻžāĨ¤ āĻĒāĻ°āĻŋāĻŦāĻžāĻ°ā§‡āĻ° āĻ¸āĻŦāĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻ•ā§‡āĻ¨āĻžāĻ•āĻžāĻŸāĻž āĻ•āĻ°āĻžāĻ° āĻ§ā§āĻŽ āĻĒā§œā§‡ āĻ¸āĻŽāĻ—ā§āĻ° āĻŦāĻžāĻ‚āĻ˛āĻžā§ŸāĨ¤ āĻ›ā§‹āĻŸ āĻ›ā§‡āĻ˛ā§‡āĻĻā§‡āĻ° āĻĒāĻ›āĻ¨ā§āĻĻ āĻāĻ¤āĻŋāĻšā§āĻ¯āĻŦāĻžāĻšā§€ āĻ¸āĻŦ āĻĒāĻžāĻžā§āĻœāĻžāĻŦā§€, āĻĢāĻ¤ā§ā§ŸāĻž āĻ…āĻĨāĻŦāĻž āĻ•ā§‹āĻ¨ āĻ•ā§‹āĻ¨ āĻ•ā§āĻˇā§‡āĻ¤ā§āĻ°ā§‡ āĻĢāĻ¤ā§ā§ŸāĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ—āĻžāĻŽāĻ›āĻž āĻ†āĻ° āĻ˛ā§āĻ™ā§āĻ—āĻŋāĨ¤ āĻŽā§‡ā§Ÿā§‡āĻ°āĻž āĻ¤ā§‹ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĄāĻŋāĻœāĻžāĻ‡āĻ¨ā§‡āĻ° āĻļāĻžā§œāĻŋ āĻ…āĻĨāĻŦāĻž āĻ¸āĻžāĻ˛ā§‹ā§ŸāĻžāĻ° āĻ•āĻžāĻŽāĻŋāĻœ āĻ•āĻŋāĻ¨ā§‡ āĻ°āĻžāĻ–āĻŦā§‡āĻ¨ āĻ†āĻ—ā§‡ āĻ­āĻžāĻ—ā§‡āĻ‡!

āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž āĻ•ā§āĻ¯āĻžāĻŽā§āĻĒā§‡āĻ‡āĻ¨ (ā§¨ā§Ļā§¨ā§¨) āĻ•āĻ¤ āĻ¤āĻžāĻ°āĻŋāĻ– āĻĨā§‡āĻ•ā§‡ āĻļā§āĻ°ā§ āĻšāĻšā§āĻ›ā§‡?

ā§§ āĻāĻĒā§āĻ°āĻŋāĻ˛, ā§¨ā§Ļā§¨ā§¨ āĻ¤āĻžāĻ°āĻŋāĻ–, āĻ°ā§‹āĻœ āĻļā§āĻ•ā§āĻ°āĻŦāĻžāĻ° āĻĨā§‡āĻ•ā§‡ āĻļā§āĻ°ā§ āĻšāĻ“ā§ŸāĻž āĻĻāĻžāĻ°āĻžāĻœ āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻŦāĻžāĻ‚āĻ˛āĻž āĻ¨āĻ¤ā§āĻ¨ āĻŦāĻ›āĻ°ā§‡āĻ° āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻžā§Ÿ āĻāĻ–āĻ¨ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ā§‡ āĻ˜āĻ°ā§‡ āĻŦāĻ¸ā§‡āĻ‡ āĻ†āĻĒāĻ¨āĻŋ āĻĒāĻžāĻŦā§‡āĻ¨ āĻ…āĻ¸āĻžāĻ§āĻžāĻ°āĻŖ āĻ¸āĻŦ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻ•āĻžāĻ˛ā§‡āĻ•āĻļāĻ¨āĨ¤ āĻ¸āĻ™ā§āĻ—ā§‡ āĻ¸āĻŽā§Ÿā§‡āĻ° āĻ¸ā§‡āĻ°āĻž āĻŽā§‚āĻ˛ā§āĻ¯āĻ›āĻžā§œ āĻ¤ā§‹ āĻĨāĻžāĻ•āĻ›ā§‡āĻ‡āĨ¤ āĻĻāĻžāĻ°āĻžāĻœ āĻĨā§‡āĻ•ā§‡ āĻ•āĻŋāĻ¨āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻĄāĻŋāĻœāĻžāĻ‡āĻ¨ā§‡āĻ° āĻĒāĻžāĻžā§āĻœāĻžāĻŦā§€, āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻļāĻžā§œā§€, āĻ¸ā§āĻ¯āĻžāĻ¨ā§āĻĄā§‡āĻ˛, āĻšā§ā§œāĻŋ, āĻŸāĻŋāĻĒ, āĻ¨āĻžāĻ¨āĻž āĻ§āĻ°āĻŖā§‡āĻ° āĻ†āĻ•āĻ°ā§āĻˇāĻ¨ā§€ā§Ÿ āĻ—āĻšāĻ¨āĻž āĻ¸āĻš āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āĻ¨ āĻŦā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄā§‡āĻ° āĻ°āĻ•āĻŽāĻžāĻ°āĻŋ āĻĒāĻŖā§āĻ¯āĨ¤ āĻāĻĒā§āĻ°āĻŋāĻ˛ā§‡āĻ° ā§§ āĻ¤āĻžāĻ°āĻŋāĻ– āĻĨā§‡āĻ•ā§‡ āĻļā§āĻ°ā§ āĻšāĻ“ā§ŸāĻž āĻ āĻŽā§‡āĻ˛āĻž āĻšāĻ˛āĻŦā§‡ āĻāĻ•ā§‡āĻŦāĻžāĻ°ā§‡ āĻĒāĻšā§‡āĻ˛āĻž āĻŦā§ˆāĻļāĻžāĻ– ā§§ā§Ē āĻāĻĒā§āĻ°āĻŋāĻ˛, ā§¨ā§Ļā§¨ā§¨ āĻĒāĻ°ā§āĻ¯āĻ¨ā§āĻ¤āĨ¤

āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž – āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻ…āĻ¨ā§āĻ¯āĻ¤āĻŽ āĻœāĻ¨āĻĒā§āĻ°āĻŋā§Ÿ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚ āĻŽā§‡āĻ˛āĻž

āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļā§‡āĻ° āĻ…āĻ¨ā§āĻ¯āĻ¤āĻŽ āĻŦāĻĄāĻŧ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚ āĻŽā§‡āĻ˛āĻž āĻšāĻ˛ āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻžāĨ¤ āĻĻāĻžāĻ°āĻžāĻœ āĻŦāĻžāĻ‚āĻ˛āĻžāĻĻā§‡āĻļ āĻŦāĻžāĻ™ā§āĻ—āĻžāĻ˛ā§€ āĻ•ā§āĻ°ā§‡āĻ¤āĻžāĻĻā§‡āĻ° āĻ¨āĻŦāĻŦāĻ°ā§āĻˇ āĻ‰āĻĻāĻ¯āĻžāĻĒāĻ¨ā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻĻāĻŋāĻšā§āĻ›ā§‡ āĻŦāĻŋāĻļāĻžāĻ˛ āĻŽā§‚āĻ˛ā§āĻ¯āĻ›āĻžā§œāĨ¤ āĻ†āĻĒāĻ¨āĻŋ āĻŽā§‹āĻŦāĻžāĻ‡āĻ˛ āĻĢā§‹āĻ¨, āĻ•āĻŽā§āĻĒāĻŋāĻ‰āĻŸāĻžāĻ°, āĻŸā§‡āĻ˛āĻŋāĻ­āĻŋāĻļāĻ¨, āĻĒā§‹āĻļāĻžāĻ•, āĻœā§āĻ¤āĻž, āĻœāĻŋāĻ¨āĻŋāĻ¸āĻĒāĻ¤ā§āĻ° āĻāĻŦāĻ‚ āĻ†āĻ°ā§‹ āĻ…āĻ¨ā§‡āĻ• āĻĒāĻŖā§āĻ¯ā§‡āĻ° āĻœāĻ¨ā§āĻ¯ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚-āĻāĻ° āĻ‰āĻĒāĻ° āĻ…āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ā§āĻ¯ āĻŽā§‚āĻ˛ā§āĻ¯āĻ›āĻžāĻĄāĻŧ āĻĒā§‡āĻ¤ā§‡ āĻ¯āĻžāĻšā§āĻ›ā§‡āĻ¨āĨ¤ āĻ•ā§‡āĻŦāĻ˛ āĻĢā§āĻ¯āĻžāĻļāĻ¨ āĻ¨ā§Ÿ, āĻ¸ā§āĻ¯āĻžāĻŽāĻ¸āĻžāĻ‚, āĻāĻ‡āĻšāĻĒāĻŋ, āĻŽāĻžāĻ‡āĻ•ā§āĻ°ā§‹āĻ¸āĻĢāĻŸ, āĻ˛ā§‡āĻ¨ā§‹āĻ­ā§‹, āĻŦāĻžāĻŸāĻž, āĻāĻĒā§‡āĻ•ā§āĻ¸ āĻ¸āĻš āĻŦā§œ āĻŦā§œ āĻŦā§āĻ°ā§āĻ¯āĻžāĻ¨ā§āĻĄā§‡āĻ° āĻŽā§‡āĻ—āĻž āĻ¸ā§‡āĻ˛ āĻ‡āĻ­ā§‡āĻ¨ā§āĻŸā§‡ āĻ•ā§āĻ°ā§‡āĻ¤āĻžāĻ°āĻž āĻ•ā§‡āĻ¨āĻžāĻ•āĻžāĻŸāĻž āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°āĻŦā§‡āĻ¨ āĻ–ā§āĻŦ āĻ¸ā§āĻŦāĻžāĻšā§āĻ›āĻ¨ā§āĻĻā§āĻ¯ā§‡āĻ‡ āĻāĻŦāĻ‚ āĻ†āĻ¸ā§āĻĨāĻžāĻ° āĻ¸āĻžāĻĨā§‡āĻ‡āĨ¤

āĻšā§‹āĻ– āĻ°āĻžāĻ–ā§āĻ¨ āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž ā§§ā§Ēā§¨ā§¯ (ā§¨ā§Ļā§¨ā§¨) āĻ•ā§āĻ¯āĻžāĻŽā§āĻĒā§‡āĻ‡āĻ¨ā§‡

āĻŦāĻ›āĻ°ā§‡āĻ° āĻ¸ā§‡āĻ°āĻž āĻĄāĻŋāĻ˛ āĻ—ā§āĻ˛ā§‹ āĻĒā§‡āĻ¤ā§‡ āĻšā§‹āĻ– āĻ°āĻžāĻ–ā§āĻ¨ āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž ā§§ā§Ēā§¨ā§¯ (ā§¨ā§Ļā§¨ā§¨) āĻ•ā§āĻ¯āĻžāĻŽā§āĻĒā§‡āĻ‡āĻ¨ā§‡āĨ¤ āĻ¨āĻŋāĻ°āĻžāĻĒāĻĻ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚ āĻ•āĻ°āĻ¤ā§‡ āĻĻāĻžāĻ°āĻžāĻœā§‡āĻ° āĻ¸āĻžāĻĨā§‡āĻ‡ āĻĨāĻžāĻ•ā§āĻ¨āĨ¤ āĻĒā§āĻ°āĻžāĻŖāĻŦāĻ¨ā§āĻ¤ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻļāĻĒāĻŋāĻ‚ āĻ•āĻ°ā§āĻ¨ āĻ†āĻ° āĻāĻ•ā§āĻ•āĻŋ-āĻāĻžāĻŽā§‡āĻ˛āĻž āĻ•ā§‡ āĻŦāĻŋāĻĻāĻžā§Ÿ āĻĻāĻŋāĻ¨ āĻāĻ–āĻ¨āĻ‡āĨ¤

āĻ¯ā§‡āĻ•ā§‹āĻ¨ āĻ˛ā§‹āĻ­āĻ¨ā§€ā§Ÿ āĻĄāĻŋāĻ˛ āĻ“ āĻĄāĻŋāĻ¸āĻ•āĻžāĻ‰āĻ¨ā§āĻŸ āĻ…āĻĢāĻžāĻ°ā§‡āĻ° āĻ†āĻĒāĻĄā§‡āĻŸ āĻĒā§‡āĻ¤ā§‡ āĻ­āĻŋāĻœāĻŋāĻŸ āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨ āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž āĻ•ā§āĻ¯āĻžāĻŽā§āĻĒā§‡āĻ‡āĻ¨ā§‡, āĻšā§‹āĻ– āĻ°āĻžāĻ–ā§āĻ¨ āĻĻāĻžāĻ°āĻžāĻœ āĻŦā§ˆāĻļāĻžāĻ–ā§€ āĻŽā§‡āĻ˛āĻž āĻŦā§āĻ˛āĻ— āĻĒā§‡āĻœā§‡ āĻāĻ–āĻ¨āĻ‡āĨ¤


āĻĻāĻžāĻ°āĻžāĻœ āĻ•ā§Ÿā§‡āĻ¨ āĻ…āĻĢāĻžāĻ° āĻ†āĻĒāĻĄā§‡āĻŸ

āĻ…āĻĢāĻžāĻ° āĻ¨āĻ‚ ā§§āĻƒ

⇒ āĻ•ā§Ÿā§‡āĻ¨ āĻ•āĻžāĻ˛ā§‡āĻ•ā§āĻŸ āĻ•āĻ°ā§āĻ¨ āĻāĻŦāĻ‚ āĻ¸ā§āĻŽāĻžāĻ°ā§āĻŸāĻĢā§‹āĻ¨ āĻœāĻŋāĻ¤ā§āĻ¨

⇒ ā§§āĻ˛āĻž āĻāĻĒā§āĻ°āĻŋāĻ˛ āĻĨā§‡āĻ•ā§‡ ā§§ā§ĒāĻ‡ āĻāĻĒā§āĻ°āĻŋāĻ˛ā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¸āĻ°ā§āĻŦā§‹āĻšā§āĻš āĻ•āĻ¯āĻŧā§‡āĻ¨ āĻ•āĻžāĻ˛ā§‡āĻ•ā§āĻŸ āĻ•āĻ°ā§āĻ¨ āĻāĻŦāĻ‚ āĻāĻ•āĻŸāĻŋ realme Narzo 50i āĻ¸ā§āĻŽāĻžāĻ°ā§āĻŸāĻĢā§‹āĻ¨ āĻœāĻŋāĻ¤ā§‡ āĻ¨āĻŋāĻ¨āĨ¤

āĻļāĻ°ā§āĻ¤āĻžāĻŦāĻ˛āĻŋāĻƒ

  • āĻ…āĻĢāĻžāĻ°āĻŸāĻŋ ā§§āĻ˛āĻž āĻāĻĒā§āĻ°āĻŋāĻ˛ āĻĨā§‡āĻ•ā§‡ ā§§ā§ĒāĻ‡ āĻāĻĒā§āĻ°āĻŋāĻ˛ā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻĨāĻžāĻ•āĻŦā§‡ā§ˇ āĻ¯ā§‡ āĻ—ā§āĻ°āĻžāĻšāĻ• āĻ‰āĻ˛ā§āĻ˛āĻŋāĻ–āĻŋāĻ¤ āĻ¸āĻŽāĻ¯āĻŧā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ¸āĻ°ā§āĻŦāĻžāĻ§āĻŋāĻ• āĻ¸āĻ‚āĻ–ā§āĻ¯āĻ• āĻ•āĻ¯āĻŧā§‡āĻ¨ āĻ•āĻžāĻ˛ā§‡āĻ•ā§āĻŸ āĻ•āĻ°āĻŦā§‡āĻ¨ āĻ¤āĻžāĻĻā§‡āĻ° āĻŦāĻŋāĻœāĻ¯āĻŧā§€ āĻšāĻŋāĻ¸āĻžāĻŦā§‡ āĻ¨āĻŋāĻ°ā§āĻŦāĻžāĻšāĻŋāĻ¤ āĻ•āĻ°āĻž āĻšāĻŦā§‡āĨ¤
  • āĻšā§‡āĻ•-āĻ‡āĻ¨, āĻŽāĻŋāĻļāĻ¨ āĻ“ āĻ•ā§‡āĻ¨āĻžāĻ•āĻžāĻŸāĻžāĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻ•ā§Ÿā§‡āĻ¨ āĻ•āĻžāĻ˛ā§‡āĻ•ā§āĻŸ āĻ•āĻ°āĻž āĻ¯āĻžāĻŦā§‡āĨ¤
  • āĻ…āĻĢāĻžāĻ°āĻŸāĻŋāĻ° āĻĒā§‡āĻ¤ā§‡ āĻ—ā§āĻ°āĻžāĻšāĻ•ā§‡āĻ° āĻ…āĻŦāĻļā§āĻ¯āĻ‡ āĻĻāĻžāĻ°āĻžāĻœā§‡ āĻĒā§‚āĻ°ā§āĻŦā§‡āĻ° āĻ¸āĻĢāĻ˛ āĻ…āĻ°ā§āĻĄāĻžāĻ° āĻĨāĻžāĻ•āĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤
  • āĻŦāĻŋāĻœāĻ¯āĻŧā§€āĻ•ā§‡ āĻāĻ•āĻŸāĻŋ realme Narzo 50i āĻ¸ā§āĻŽāĻžāĻ°ā§āĻŸāĻĢā§‹āĻ¨ āĻ‰āĻĒāĻšāĻžāĻ° āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻšāĻŦā§‡āĨ¤
  • ā§Šā§Ļ āĻāĻĒā§āĻ°āĻŋāĻ˛ā§‡āĻ° āĻĒāĻ°ā§‡ āĻŦāĻŋāĻœā§Ÿā§€āĻ•ā§‡ āĻ‰āĻĒāĻšāĻžāĻ° āĻĻā§‡āĻ“āĻ¯āĻŧāĻž āĻšāĻŦā§‡āĨ¤ āĻŦāĻŋāĻœāĻ¯āĻŧā§€āĻ•ā§‡ ā§Šā§Ļ āĻāĻĒā§āĻ°āĻŋāĻ˛ā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ•āĻ˛/āĻāĻ¸āĻāĻŽāĻāĻ¸ āĻāĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻœāĻžāĻ¨āĻžāĻ¨ā§‹ āĻšāĻŦā§‡āĨ¤
  • āĻ…āĻĢāĻžāĻ°āĻŸāĻŋāĻ¤ā§‡ āĻļā§āĻ§ā§āĻŽāĻžāĻ¤ā§āĻ° āĻĻāĻžāĻ°āĻžāĻœ āĻ…ā§āĻ¯āĻžāĻĒā§‡āĻ° āĻŽāĻžāĻ§ā§āĻ¯āĻŽā§‡ āĻ…āĻ‚āĻļāĻ—ā§āĻ°āĻšāĻŖ āĻ•āĻ°āĻž āĻ¯āĻžāĻŦā§‡āĨ¤
  • āĻāĻ•āĻ‡ āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸ā§‡ āĻāĻ•āĻžāĻ§āĻŋāĻ• āĻ…ā§āĻ¯āĻžāĻ•āĻžāĻ‰āĻ¨ā§āĻŸā§‡āĻ° āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ°āĻ•āĻžāĻ°ā§€āĻ°āĻž āĻ…āĻĢāĻžāĻ°āĻŸāĻŋāĻ° āĻœāĻ¨ā§āĻ¯ āĻ¯ā§‹āĻ—ā§āĻ¯ āĻšāĻŦā§‡āĻ¨ āĻ¨āĻžāĨ¤
  • āĻĻāĻžāĻ°āĻžāĻœ āĻ¯ā§‡ āĻ•ā§‹āĻ¨ āĻ¸āĻŽāĻ¯āĻŧ āĻŦāĻŋāĻœāĻ¯āĻŧā§€ āĻ¨āĻŋāĻ°ā§āĻŦāĻžāĻšāĻ¨, āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻ¨ āĻŦāĻž āĻŦāĻžāĻ¤āĻŋāĻ˛ āĻ•āĻ°āĻžāĻ° āĻ…āĻ§āĻŋāĻ•āĻžāĻ° āĻ¸āĻ‚āĻ°āĻ•ā§āĻˇāĻŖ āĻ•āĻ°ā§‡āĨ¤
  • āĻ‰āĻĒāĻšāĻžāĻ° āĻ¸āĻžāĻŽāĻ—ā§āĻ°ā§€āĻŸāĻŋ āĻĢā§‡āĻ°āĻ¤āĻ¯ā§‹āĻ—ā§āĻ¯ āĻ¨āĻ¯āĻŧ āĻāĻŦāĻ‚ āĻĻāĻžāĻ°āĻžāĻœ āĻĻā§āĻŦāĻžāĻ°āĻž āĻŦāĻŋāĻ•ā§āĻ°āĻ¯āĻŧā§‹āĻ¤ā§āĻ¤āĻ° āĻ¸ā§‡āĻŦāĻž āĻĒā§āĻ°āĻĻāĻžāĻ¨ āĻ•āĻ°āĻž āĻšāĻŦā§‡ āĻ¨āĻžāĨ¤

āĻ‰āĻĒāĻšāĻžāĻ°āĻƒ realme Narzo 50i āĻ¸ā§āĻŽāĻžāĻ°ā§āĻŸāĻĢā§‹āĻ¨


āĻ…āĻĢāĻžāĻ° āĻ¨āĻ‚ ā§¨āĻƒ

⇒ āĻĒā§āĻ°āĻ¤āĻŋāĻĻāĻŋāĻ¨ āĻĻāĻžāĻ°āĻžāĻœ āĻ•ā§Ÿā§‡āĻ¨ āĻšā§‡āĻ•-āĻ‡āĻ¨ āĻ•āĻ°ā§‡ āĻœāĻŋāĻ¤ā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨ ā§Ģā§Ļā§Ļ āĻŸāĻžāĻ•āĻžāĻ° āĻĻāĻžāĻ°āĻžāĻœ āĻ­āĻžāĻ‰āĻšāĻžāĻ°āĨ¤

āĻļāĻ°ā§āĻ¤āĻžāĻŦāĻ˛ā§€āĻƒ

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