Pohela Boishakh: Origin, History, Culture & Facts

Pohela Boishakh (Bangla New Year) Date – Friday, 14 April, 2023 in Bangladesh

What is Pohela Boishakh / Bangla New Year?

Bengali New Year is referred to in Bengali as “New Year” (Bengali: āύāĻŦāĻŦāĻ°ā§āώ Nôbobôrsho, from Sanskrit Nava(new) BarášŖha(year) or “First of Boishakh” (Bengali: āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– Pôhela Boishakh. Nobo means new, and Borsho means year. In Bengali, Pohela stands for ‘first,’ and Baishakh is the first month of the Bengali calendar.

Bengali New Year (Bengali: āύāĻŦāĻŦāĻ°ā§āώ) or Pahela Boishakh (āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ–) is the first day of the Bengali calendar, celebrated in both Bangladesh and West Bengal and in Bengali communities in Assam, Tripura, and Odisha and all over India as well where the Bengali community arises. It coincides with the New Year’s Days of numerous Southern Asian calendars. Poila Boishakh connects all ethnic Bengalis irrespective of religious and regional differences. In India, in West Bengal and Assam, it is a public (state) holiday and is publicly celebrated in mid-April. Bangladesh is a national holiday celebrated around 14 April according to the official amended calendar designed by the Bangla Academy.

Pohela Boishakh at Bengal Dhaka
Celebration of Pohela Boishakh,Dhaka[Sincere Thanks to S.M. Tanvir Ayon for this Magnificent Snapshot]

Boishakh/Baishakh is the first of the Bengali months where Pohela simply means “first”. The term “Pohela Boishakh” therefore, stands for the first day of the Bengali year and naturally refers to the festivity attached to this day as well. The celebration itself is called “Borsho Boron Utsab” or “Boishakhi Utsab” (the gala of Boishakh), which is held to welcome the Nobo Borsho (New Year). It is one celebration that goes beyond geographical borders as the Bengali New Year is celebrated in the West Bengal of India as well as in Bangladesh, making it the biggest cultural festival that has survived the last few centuries where Bengalis of all walks of life come together to make it colorful, bright and joyous.

Facts about Pohela Boishakh

Here are some interesting facts about Pohela Boishakh that you may not know:

  • The traditional Bengali sweets, such as “roshogolla” and “mishti doi,” are an essential part of Pohela Boishakh and are often exchanged as gifts between friends and family members.
  • Pohela Boishakh is also celebrated in other parts of the Indian subcontinent, such as West Bengal and Assam, – The “Mongol Shobhajatra” procession, which has become synonymous with Pohela Boishakh, was recognized by UNESCO as a “Masterpiece of the Oral and Intangible Heritage of Humanity” in 2016.
  • Pohela Boishakh is also an important occasion for business and commerce, with many shops and markets offering discounts and promotions to attract customers. The day is considered auspicious for starting new ventures or making investments.
  • Pohela Boishakh has also gained global recognition in recent years, with various diaspora communities organizing cultural events and festivals in different parts of the world.

Origin & History of Pohela Boishakh:

Who Started Bengali New Year?

The story of the pohela boishakh history has a few versions. However, they all go back to one particular Mughal emperor, Akbar the Great, and the tax collecting process under his reign (1556-1609). Several hundred years ago, the economy almost entirely depended on agricultural production. In Bengal, agriculture necessarily revolved around its six seasons. Under the Mughals, the tax was collected on the basis of Arabic or Hijri year, which did not exactly go hand in hand with the seasonal cycle of this region. For instance, when it was time for the landowners to collect taxes, the peasants would still be waiting to reap their products from the fields.

This way, following a lunar calendar that hijri year was based upon proved inconvenient for all the parties involved. Realizing the urgency of reformation in the existing year system, the Baadshah (emperor) gave one of the many renowned scholars of his court, Fatelluah Shiraji, the responsibility to make the necessary amendments. The new calendar was designed to keep all six seasons’ nature, duration, and contribution to agriculture in mind. Some scholars argue that Pohela Boishakh (1st boishakh) was anything but a reason for festivity for the peasants who comprised the majority of the population when they had to pay off their taxes on the last day of Chaitra/ Choitro, the month before Boishakh.

Besides, the landlords, to collect the taxes, often subjected the grassroots people to physical force. Such circumstances were most unlikely to leave people in a mood for festivity by the time the Pohela Boishakh was knocking on their doors. Despite having enough reasons for it to be contrary, Pahela Baishakh was a time for celebration. To avoid any serious rebellion, Badshah Akbar introduced the masterfully crafted custom of the New Year celebration that took place right after the tax-paying day. The amusements and feasts that used to be arranged helped to smoothen the harshness of the tax paying and sow the hopes for a better year among all.

As mentioned earlier, the celebration of Bengali New Year, pohela Boishakh, takes place both in West Bengal and Bangladesh. But, Pahela Boishakh in Bangladesh did not receive a collective form until 1965. During the growing movement for an independent state from Pakistan that began at the end of the 1940s and continued until independence in 1971, the former Pakistani Government implemented many policies that were somewhat modified versions of the British “Divide and Rule” principle.

In other words, those policies were meant to differentiate a Bengali Muslim from others and avoid a strong, joint movement for independence. As a continuation of such steps, the Pakistani government banned poems by the Noble winning Bengali author, Shree Rabindranath Tagore. Then, Chhayanaut, the only major Fine Arts institution of the time, designed their cultural show for Poila Boishakh to be a means of protest. The Pohela Boishakh takes place under the Banyan tree of Ramna Park in Dhaka ever since it was opened with Boishakhi songs by Tagore.

This way, Pohela Boishak became one with the nationalist notions of the Bengali people who resided in East Pakistan, known as Bangladesh today. The Fine Arts Institute (CharuKala Institute) of Dhaka University enhanced the attraction of the day in the late 1980s by adding Boishakhi Parade (Shobha Jatra) to ensure growing participation and acceptance. Soon, an attempt by a few hundred people to uphold the Bengali traditions and unify Bengalis while doing it transformed into a national event.

The Bengali New Year celebration in West Bengal also ties to religious values. The entire month of Boishakh is considered auspicious. Therefore, the first day by itself is reason enough for festivity. For the Hindu, the day begins with Puja (religious ritual) followed by cultural shows. Because it is considered auspicious, Boishakh is the month when most Hindu weddings occur in both Bengals.

Aspects & Activities of Pohela Boishakh:

How is Pohela boishakh celebrated?

In Bangladesh, the day begins before the break of dawn when a crowd gathers in Ramna Park for the Cultural show held by Chhayanat every year. Women mainly wear white Sharee (tips for women’s fashion on pohela boishakh) with a red border. Since Boishakh brings spring, women adorn their hair with flowers and wear colorful churi (bangles), symbolizing the many colors and renewed life in nature. On the other hand, men mainly wear traditional Punjabi (Panjabi price in Bangladesh) with Paayjama, Lungi, or Dhuti/Dhoti.

  • Boishakhi Parade (Mongol Shova jatra): Boishakhi Mongol Shobha Jatra is one of the biggest attractions of the day. The rally starts at the CharuKala Institute of Dhaka University very early in the morning.
Mongal Shobhajatra Pohela Boishakh
Mongal Sobhajatra in Pohela Boishakh
  • Boishakhi Fair (Mela):

    It is arranged all over the country and continues for at least a week. A wide range of products and activities make the fair attractive to all age groups. Find their way here, from home accessories to anything and everything that speaks Bengali authenticity. One of the fun aspects of the Boishakhi Mela is the joy ride like the Merry-Go-Round and Ferris wheel. The ones seen in this fair are different in that they are much smaller, with a simpler structure made of wood and bamboo and lacking engines to run them. Instead, two or more men stand beside these rides to push.

pohela boishakhi mela
Fair in Pohela Boishakh
  • Alpona:

    In the front yard and staircases, miniature Aalponas or Rangolies, traditional designs, are drawn using bright colors like red, green, blue,

    and yellow, as well as powdered rice. Drawing gigantic Aalponas on the main streets and walls all night long is one fun activity in which both males and females participate

    .

boishakhi alpona art at dhaka
Pohela Baishakh 1421 adorned with Airtel Alpona
 
  • Haalkhata:

    It is the ritual of closing the old Ledger and opening a new one with new entries on Pohela Boishakh. Traders involved in the gold, clothing, or food business send out invitations to old customers and entertain them with sweets.

         On the 1st day of Pohela Boishakh,businessmen greets their customers with sweets,
          commence a “Halkhata”(new ledger)& lock their old ones. Source:Star file photo
  • Sports:

    Rural sports such as Nouka Baich (boat race), Kite flying, Bull Racing, and flying pigeons are popular.

noukabaich at pohela boishakh
               Nouka Baich (Boat Racing) Image Source : worldphoto.org

Cultural Activities of Pohela Boishakh

Folk songs such as Palagan, kavigan, Jarigan, Gambhira gan, Gazirgan, baul, marfati, murshidi and bhatiali songs are staged. So are Jatra (one kind of plays) and other form of Bengali performing arts.

Pohela Boishakh in Dhaka

New Year’s festivities are closely linked with rural life in Bengal. Usually, on Pahela Boishakh, the home is thoroughly scrubbed and cleaned; people bathe early in the morning and dress in fine clothes. They spend much of the day visiting relatives, friends, and neighbors. Special foods are prepared to entertain guests. This rural festival has become enormously big in the cities, especially in Dhaka.

Boishakhi fairs are arranged in many parts of the country. Various agricultural products, traditional handicrafts, toys, cosmetics, as well as various kinds of food and sweets are sold at these fairs. The fairs also provide entertainment, with singers and dancers staging jatra (traditional plays), pala gan, kobiganjarigan, gambhira gan, gazir gan and alkap gan. They present folk songs as well as baul, marfatimurshidi and bhatiali songs. Narrative plays like Laila-Majnu, Yusuf-Zulekha and Radha-Krishna are staged. Among other attractions of these fairs are puppet shows and merry-go-rounds.

baul song on pohela boishakh
                         Bauls performing in Pohela Boishakh

Pohela Boishakh Games

Many old festivals connected with New Year’s Day have disappeared, while new festivals have been added. With the abolition of the zamindari system, the punya connected with the closing of land revenue accounts has disappeared. Kite flying in Dhaka and bull racing in Munshiganj used to be very colorful events. Other popular village games and sports were horse races, bullfights, cockfights, flying pigeons, and boat racing. Some festivals, however, continue to be observed; for example, bali (wrestling) in Chittagong and gambhira in Rajshahi are still popular events.

Pohela Boishakh Food

Observance of Pohela Boishakh has become popular in the cities. Early in the morning, people gather under a big tree or on the bank of a lake to witness the sunrise. Artists present songs to usher in the new year. People from all walks of life wear traditional Bengali attire: young women wear white saris with red borders and adorn themselves with churi bangles, ful flowers, and tips (bindis). Men wear white paejama(pants) or lungi(dhoti/dhuti) (long skirt) and kurta (tunic). Many townspeople start the day with the traditional breakfast of panta bhat (rice soaked in water), green chilies, onion, and fried hilsa fish.

pohela boishakh foods with hilsha fish

Panta Ilish(āĻĒāĻžāĻ¨ā§āϤāĻž āχāϞāĻŋāĻļ) – a traditional platter of leftover rice soaked in water with fried Hilsa(āχāϞāĻŋāĻļ), supplemented with dried fish (Shutki/āĻļ⧁āρāϟāϕ⧀), pickles (Achar), lentils (dal), green chilies and onion – a popular dish for the Pohela Boishakh festival.

Pohela Boishakh Songs

The most colorful New Year’s Day festival takes place in Dhaka. Large numbers of people gather early in the morning under the banyan tree at Ramna Park, where Chhayanat artists open the day with Rabindranath Tagore’s famous pohela boishakh song, āĻāϏ⧋, āĻšā§‡ āĻŦ⧈āĻļāĻžāĻ–, āĻāϏ⧋ āĻāϏ⧋ Esho, he Boishakh, Esho Esho (Come, O Boishakh, Come, Come). A similar ceremony welcoming the new year is also held at the Institute of Fine Arts, University of Dhaka. Students and teachers of the institute take out a colorful procession and parade around the campus. Social and cultural organizations celebrate the day with cultural programs. Newspapers bring out special supplements. There are also special programs on the radio and television.

borshoboron at ramna batomul
           Borsho Boron at Ramna Botomul. Source : bdnews24 photo archive

The historical importance of Pohela Boishakh in the Bangladeshi context may be dated from the observance of the day by Chhayanat in 1965. In an attempt to suppress Bengali culture, the Pakistani Government banned poems written by Rabindranath Tagore, the most famous poet, and writer in Bengali literature. Protesting this move, Chhayanat opened their Pohela Boishakh celebrations at Ramna Park with Tagore’s song welcoming the month. The day continued to be celebrated in East Pakistan as a symbol of Bengali culture. After 1972 it became a national festival, a symbol of the Bangladesh nationalist movement, and an integral part of the people’s cultural heritage. Later, in the mid-1980s, the Institute of Fine Arts added color to the day by initiating the Boishakhi parade, which is much like a carnival parade.

CHOTTOGRAM, Bangladesh | āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ

The center of attraction of the Pohela Boishakh celebrations in the port city Chottogram is the DC Hill Park [āĻĄāĻŋāϏāĻŋ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĒāĻžāĻ°ā§āĻ•]. Sammilitō Sanskritik Jot [āϏāĻŽā§āĻŽāĻŋāϞāĻŋāϤ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻœā§‹āϟ] organizes a two-day festival to bid farewell to the old year and welcome the New Year. Various cultural events are organized here, including plays, etc. The public celebration of Poyela Boishakh in Chottogram was started in 1973; the politicians took the initiative to promote Bengali culture.

festive mood in pohela boishakh
        Festive Mood in Chattogram DC Hill. Image Source: Daily Asian age.
  • Chottogram Hill Tracts | āϚāĻŸā§āϟāĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻĒāĻžāĻ°ā§āĻŦāĻ¤ā§āϝ āĻœā§‡āϞāĻž :

    In the Hill tracts of Chattogram, three different ethnic minority groups have their individual New Year celebrations. Boisuk [āĻŦ⧈āĻļ⧁āĻ–] of Tripura People, Sangrai [āϏāĻžāĻ‚āĻ—ā§āϰāĻžāχ] of Marma people, and Biju [āĻŦāĻŋāϜ⧁] of Chakma people; presently they have come together to celebrate it commonly as Boi-Sa-Bi [āĻŦ⧈-āϏāĻž-āĻŦāĻŋ], a day of a wide variety of festivities; especially need to mention the water festival [āϜāϞ āĻ‰ā§ŽāϏāĻŦ] of the Marma people.

KHULNA, Bangladesh | āϖ⧁āϞāύāĻž, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ

College students make great effort in designing festoons, banners, and colorful masks for this event. A newly formed non-governmental cultural organization Shokha Moyukh celebrated Pohela Boishakh at the campus of Govt. B L College, Khulna. The rally was followed by a cultural function at the campus. The event was organized by the students with support from the college faculty. Pohela Boishakh is celebrated in Khulna with enormous joy and enthusiasm. People from all walks of life take part in the Borshoboron Rally (āĻŦāĻ°ā§āώāĻŦāϰāĻŖ āĻĒāĻĻāϝāĻžāĻ¤ā§āϰāĻž) organized by Khulna Sonskriti Kendro(āϖ⧁āϞāύāĻž āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āϕ⧇āĻ¨ā§āĻĻā§āϰ).

              Inauguration of Pohela Baishakh Ceremony, 1423 at Khulna

Kolkata and West Bengal | āĻ•āϞāĻ•āĻžāϤāĻž āĻāĻŦāĻ‚ āĻĒāĻļā§āϚāĻŋāĻŽ āĻŦāĻ™ā§āĻ—

Kolkata, the sovereign of Bengalis in India; witnesses some of the grand celebrations of Poyela Boishakh. In Kolkata and the rest of Indian/West Bengal, Poyela Boishakh and indeed the entire month of Boishakh is considered an auspicious time for marriages, opening of new business ventures etc. Choitro is the Last month of the Bangla year; the garment traders give special discounts throughout the month. The last day of Choitro, is celebrated as Choitro Sankranti among the Hindu community, and Charak Pujo is held on this day. On this very same day, Charak Mela/fair is organized in various parts of rural Bengal; some really miraculous acrobatics are performed by the members and these stunts are quite risky indeed.

boishakh jatra at pohela boishakh
Boishakhi Jatra, AJC Bose Road, Kolkata
Courtesy: New Year Photo Gallery Blog

Pohela Boishakh is also the occasion when the whole family comes for a get together; youngsters touch feet of elders seeking benediction (āφāĻļā§€āĻ°ā§āĻŦāĻžāĻĻ), and peers greet each other Suvo Nôbobôrsho with a hug (KolakuliāĻ•āϞāĻžāϕ⧁āϞāĻŋ). The celebration remains incomplete without “mishti mukh” exchanging sweets with the near and dear ones. The day of Poyela Boishakh is a day of cultural events. Like Bangladesh, here also people wake up & bathe early in the morning and dress up in traditional Bengali attire. Many go for Probhat Pheri (a parade similar to “Shobhajatra” in Bangladesh, but it’s not as colorful as that) to welcome the first day of the New Year singing Rabindra Sangeet, here also the song “āĻāϏ⧋, āĻšā§‡ āĻŦ⧈āĻļāĻžāĻ–, āĻāϏ⧋ āĻāĻ¸ā§‹â€Esho, he Boishakh, Esho Esho is very popular.

Businessmen open new accounting books (HalKhata) on this day; for the Bengali Hindu businessmen, HalKhata begins only after performing puja, “Swastik” sign is drawn on the HalKhata by the priests. Devotees are seen in front of the Kalighat temple (āĻ•āĻžāϞ⧀āϘāĻžāϟ āĻŽāĻ¨ā§āĻĻāĻŋāϰ) in long queues late at night. Devotees offer Puja to receive the blessings of the almighty.

The Government of West Bengal organizes various fairs and cultural events in different parts of the state. The most famous of these is Bangla Sangit Mela(āϰāĻŦā§€āĻ¨ā§āĻĻā§āϰ āϏāĻ™ā§āĻ—ā§€āϤ), held at Nandan-Rabindra Sadan ground.

OTHER NATIONS | āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻĻ⧇āĻļ

Apart from Bengal, Poyela Boishakh is also celebrated by the Bengali community living in the United Kingdom, the United States of America, Australia, etc.

Pohela Boishakh celebrations also mark a day of cultural unity without distinction between class or religious affiliations. Of the major holidays celebrated in Bangladesh, only Pohela Boishakh comes without any preexisting expectations (specific religious identity, gift-giving culture, etc.). Unlike holidays like Eid ul-Fitr, where dressing up in lavish clothes has become a norm, or Christmas, where exchanging gifts has become an integral part of the holiday, Pohela Boishakh is really about celebrating the simpler, rural roots of the Bengal. As a result, more people can participate in the festivities together without the burden of having to reveal one’s class, religion, or financial capacity.

Are You ready for pohela boishakh sale online? Then Download Daraz App now! 

Frequently Asked Questions

Q: How is Pohela Boishakh celebrated outside of Bangladesh?

A: Pohela Boishakh is celebrated by Bengali communities and diaspora around the world, with cultural programs, music and dance performances, and traditional food fairs. It is also recognized as a public holiday in some countries, such as India and Nepal.

Q: What are some traditional foods eaten during Pohela Boishakh?

A: Some traditional foods eaten during Pohela Boishakh include “panta bhat” (fermented rice), “dal puri” (lentil-stuffed bread), “beguni” (deep-fried eggplant fritters), “shorshe ilish” (mustard-flavored hilsa fish), and “mishti doi” (sweet yogurt).

Q: What are some common greetings used during Pohela Boishakh?

A: Some common greetings used during Pohela Boishakh include “Shubho Noboborsho” (Happy New Year), “Shubho Nabo Barsho” (Happy New Year), and “Naba Barshaar Preeti O Subhechha” (Greetings and Wishes for the New Year).

āĻļ⧁āϰ⧁ āĻšāĻšā§āϛ⧇ āĻŦāĻ›āϰ⧇āϰ āϏāĻŦāϚāĻžāχāϤ⧇ āĻŦ⧜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž āĻ…āύāϞāĻžāχāύ⧇!

āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž ā§§ā§Ē⧍⧝

āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻžā§Ÿ āϏāĻŦāĻžāχāϕ⧇ āĻ¸ā§āĻŦāĻžāĻ—āϤāĻŽ

āĻĻāĻžāϰāĻžāϜ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻĒāĻ•ā§āώ āĻĨ⧇āϕ⧇ āϏāĻŦāĻžāχāϕ⧇ āĻŦāĻžāĻ‚āϞāĻž āύāϤ⧁āύ āĻŦāĻ›āϰ⧇āϰ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻž āĻ“ āĻ…āĻ­āĻŋāύāĻ¨ā§āĻĻāύāĨ¤ āϐāϤāĻŋāĻšā§āϝ⧇āϰ āϧāĻžāϰāĻžāĻŦāĻžāĻšāĻŋāĻ•āϤāĻžā§Ÿ, āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϏāĻ°ā§āĻŦāĻŦ⧃āĻšā§Ž āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚ āĻŽāϞ āĻĻāĻžāϰāĻžāϜ āĻĒā§āϰāϤāĻŋ āĻŦāĻ›āϰ⧇āϰ āĻ¨ā§āϝāĻžā§Ÿ āĻāĻŦāĻžāϰāĻ“ āĻ•ā§āϰ⧇āϤāĻžāĻĻ⧇āϰ āĻ•āĻžāϛ⧇ āĻšāĻžāϜāĻŋāϰ āĻšā§Ÿā§‡āϛ⧇ āĻĻ⧇āĻļ⧇āϰ āϏāĻ°ā§āĻŦāĻŦ⧃āĻšā§Ž āĻ…āύāϞāĻžāχāύ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž ā§§ā§Ē⧍⧝ āύāĻŋā§Ÿā§‡āĨ¤ āĻ•ā§āϰ⧇āϤāĻžāϰāĻž āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āωāĻĒāϞāĻ•ā§āĻˇā§āϝ⧇ āĻāχ āĻŦ⧃āĻšā§Ž āĻ…āύāϞāĻžāχāύ āĻŽā§‡āϞāĻžā§Ÿ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒāĻŖā§āϝ⧇ āφāĻ•āĻ°ā§āώāĻŖā§€ā§Ÿ āĻ›āĻžā§œāĨ¤ āϚāĻŽāĻ• āύāĻŋā§Ÿā§‡ āφāϏāĻž āĻĻ⧇āĻļ⧇āϰ āϏāĻ°ā§āĻŦāĻŦ⧃āĻšā§Ž āĻ…āύāϞāĻžāχāύ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻŽā§‡āϞāĻžā§Ÿ āĻĻāĻžāϰāĻžāϜ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āϏāĻžāĻĨ⧇āχ āĻĨāĻžāϕ⧁āύāĨ¤

āĻŦāĻžāĻ‚āϞāĻž āύāĻŋāω āĻ‡ā§ŸāĻžāϰ (āύāĻŦāĻŦāĻ°ā§āώ)

āĻŦāĻžāĻ‚āϞāĻž āύāĻŋāω āĻ‡ā§ŸāĻžāϰ āĻšāϞ āĻŦāĻžāĻ‚āϞāĻž āύāϤ⧁āύ āĻŦāĻ›āϰ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻŽāĻžāϏ āĻŦ⧈āĻļāĻžāϖ⧇āϰ āĻĒā§āϰāĻĨāĻŽ āĻĻāĻŋāύāĨ¤ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžā§Ÿ “āĻŦāĻžāĻ‚āϞāĻž āύāĻŋāω āĻ‡ā§ŸāĻžāĻ°â€ āϕ⧇ āĻŦāϞāĻž āĻšā§Ÿ “āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ–â€āĨ¤ āϏāĻžāϧāĻžāϰāĻŖāϤ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻĻāĻŋāύāϟāĻž āĻšā§Ÿ āχāĻ‚āϰ⧇āϜāĻŋ āĻŦāĻ›āϰ⧇āϰ āϚāϤ⧁āĻ°ā§āĻĨ āĻŽāĻžāϏ āĻāĻĒā§āϰāĻŋāϞ⧇āϰ ā§§ā§Ē āϤāĻžāϰāĻŋāĻ–āĨ¤ āĻļ⧁āϧ⧁ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āύ⧟, āĻŦāĻŋāĻļā§āĻŦ⧇āϰ āϏāĻŽāĻ—ā§āϰ āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀āϰāĻžāχ āĻ āĻ‰ā§ŽāϏāĻŦāϟāĻŋāϕ⧇ āϐāϤāĻŋāĻšā§āϝāĻ—āϤāĻ­āĻžāĻŦ⧇ āĻĒāĻžāϞāύ āĻ•āϰ⧇ āφāϏāϛ⧇āĨ¤

pohela boishakh (āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ–) - Daraz BD (āĻĻāĻžāϰāĻžāϜ)

āĻŦāĻžāĻ‚āϞāĻž āύāĻŋāω āĻ‡ā§ŸāĻžāϰ āĻŦāĻž āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāϖ⧇āϰ āϐāϤāĻŋāĻšā§āϝ āĻ“ āĻ‰ā§ŽāϏāĻŦ

āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀āĻĻ⧇āϰ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϚāĻŋāϰāĻžā§ŸāϤ āĻ‰ā§ŽāϏāĻŦāĨ¤ āĻāϟāĻŋ āĻŦāĻžāĻ‚āϞāĻž āĻĒāĻžā§āϜāĻŋāĻ•āĻžāϰ āĻĒā§āϰāĻĨāĻŽ āĻĻāĻŋāύāĨ¤ āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀āϰāĻž āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻ…āύ⧁āĻˇā§āĻ āĻžāύāϟāĻŋāϕ⧇ āϏāĻŦāĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļā§€ āĻŽāĻ°ā§āϝāĻžāĻĻāĻž āĻĻā§‡ā§Ÿ āĻāĻŦāĻ‚ āĻŽāύ⧇āĻĒā§āϰāĻžāϪ⧇ āĻ­āĻžāϞāĻŦāĻžāϏ⧇āĨ¤ āĻļ⧁āĻ­āĻžāĻ•āĻžāĻ‚āĻ–ā§€āĻĻ⧇āϰ “āĻļ⧁āĻ­ āύāĻŦāĻŦāĻ°ā§āώ” āĻŦāϞ⧇ āĻ¸ā§āĻŦāĻžāĻ—āϤ āϜāĻžāύāĻžā§Ÿ āĻāĻŦāĻ‚ āĻĒ⧁āϰāύ⧋ āĻŦāĻ›āϰ⧇āϰ āϏāĻ•āϞ āĻšāĻŋāϏ⧇āĻŦ-āύāĻŋāϕ⧇āĻļ, āĻĻ⧁āσāĻ–-āĻ•āĻˇā§āϟ āϭ⧁āϞ⧇ “āĻšāĻžāϞāĻ–āĻžāϤāĻž” āύāĻžāĻŽāĻ• āĻāĻ• āĻ…āύ⧁āĻˇā§āĻ āĻžāύ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āύāĻŦāĻŦāĻ°ā§āώāϕ⧇ āĻŦāϰāĻŖ āĻ•āϰ⧇ āĻ¨ā§‡ā§ŸāĨ¤

āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāϖ⧇āϰ āϜāĻ¨ā§āϝ āϚāĻžāχ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻĒā§‹āĻļāĻžāĻ•

āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāϖ⧇āϰ āĻŦāĻŋāĻļ⧇āώ āĻĻāĻŋāύ⧇ āϰāĻŽāύāĻžāϰ āĻŦāϟāĻŽā§‚āϞ⧇ āĻŦāĻ°ā§āώāĻŦāϰāĻŖ āĻ•āϰāϤ⧇ āĻŦ⧇āϰ āĻšāĻ“ā§ŸāĻžāϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻž āĻŽāĻžāύ⧇āχ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻĒā§‹āĻļāĻžāĻ• āϕ⧇āύāĻžāϰ āϧ⧁āĻŽāĨ¤ āĻĒā§āĻ˛ā§āϝāĻžāύāĻŽāĻžāĻĢāĻŋāĻ• āĻĄā§āϰ⧇āϏ⧇āϰ āϏāĻžāĻĨ⧇ āϏāĻŦāĻ•āĻŋāϛ⧁ āĻŽā§āϝāĻžāϚ āĻ•āϰ⧇ āĻļāĻĒāĻŋāĻ‚ āĻ•āϰāĻž āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻ…āϤāϟāĻž āϏāĻšāϜāϏāĻžāĻ§ā§āϝ āĻ•āĻžāϜ āύ⧟āĨ¤ āϤāĻžāϰ āωāĻĒāϰ āĻŦāĻŋāώ⧟āϟāĻŋ āϝāĻĨ⧇āĻˇā§āϟ āϏāĻŽā§Ÿ āϏāĻžāĻĒ⧇āĻ•ā§āώāĻ“ āĻŦāĻŸā§‡āĨ¤ āĻŽāύ⧇āϰ āĻŽāϤ āĻĒā§‹āώāĻžāĻ• āφāϰ āĻ āĻŋāĻ•āĻ āĻžāĻ• āĻŽāϤ āĻŽā§āϝāĻžāϚ āύāĻž āĻšāϞ⧇ āĻ•āĻŋ āφāϰ āĻŦāĻ°ā§āώāĻŦāϰāĻŖ āϜāĻŽā§‡? āϏāĻžāĻĻāĻž āĻ“ āϞāĻžāϞ āϰāϙ⧇āϰ āĻŽāĻŋāĻļā§āϰāϪ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĄāĻŋāϜāĻžāχāύ⧇āϰ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻĒāĻžāĻžā§āϜāĻžāĻŦā§€ āĻ“ āĻļāĻžā§œāĻŋ āϏāĻš āĻĢāϤ⧁⧟āĻž, āϞ⧁āĻ™ā§āĻ—āĻŋ, āĻĢā§āĻ˛ā§āϝāĻžāϟ āĻ¸ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ, āϏāĻžāύāĻ—ā§āϞāĻžāϏ, āϟāĻŋāĻĒ, āĻšāĻžāϞāĻ•āĻž āĻœā§ā§Ÿā§‡āϞāĻžāϰāĻŋ, āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŦā§āϰ⧇āϏāϞ⧇āϟ āĻ›āĻžā§œāĻžāĻ“ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϰāĻ•āĻŽā§‡āϰ āĻĒā§‹āώāĻžāĻ• āĻ“ āϏāϰāĻžā§āϜāĻžāĻŽāĻžāĻĻāĻŋ āϕ⧇āύāĻžāϰ āϧ⧁āĻŽ āĻĒā§œā§‡āĨ¤ āϏāĻŽā§Ÿ āĻŦāĻžāρāϚāĻŋā§Ÿā§‡, āϏāĻžāĻļā§āĻ°ā§Ÿā§€ āĻĻāĻžāĻŽā§‡, āĻ āĻŋāĻ•āĻ āĻžāĻ• āĻŽāϤ āĻŽā§āϝāĻžāϚāĻŋāĻ‚ āĻ•āϰ⧇ āĻļāĻĒāĻŋāĻ‚ āĻ•āϰāĻžāϰ āĻŽāϤ āĻ•āĻˇā§āϟāĻ•āϰ āĻ•āĻžāϜāϕ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āϏāĻŽā§Ÿā§‡ āĻāϤ⧋āϟāĻž āϏāĻšāϜ āĻ•āϰāĻŦ⧇ āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚, āϝāĻž āϕ⧇āω āĻ­āĻžāĻŦ⧇āύāĻŋ āφāϗ⧇āĨ¤ āϘāϰ⧇ āĻŦāϏ⧇āχ āϏāĻŽā§Ÿ āύāĻŋ⧟āĻ¨ā§āĻ¤ā§āϰāϪ⧇ āϰ⧇āϖ⧇, āĻāχ āϝāĻžāĻ¨ā§āĻ¤ā§āϰāĻŋāĻ• āύāĻ—āϰ⧀āϤ⧇ āĻœā§āϝāĻžāĻŽ āĻĨ⧇āϕ⧇ āύāĻŋāĻœā§‡āϕ⧇ āϰāĻ•ā§āώāĻž āĻ•āϰ⧇ āĻāĻ–āύ āĻ…āύāϞāĻžāχāύ⧇ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻāϰ āĻļāĻĒāĻŋāĻ‚ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āĻŦ⧇āĻļ āϏāĻšāĻœā§‡āĨ¤

āĻŦ⧈āĻļāĻžāϖ⧇āϰ āĻĒā§āϰāϧāĻžāύ āφāĻ•āĻ°ā§āώāĻŖ āύāĻžāϰ⧀āĻĻ⧇āϰ āĻļāĻžā§œāĻŋ āφāϰ āĻĒ⧁āϰ⧁āώāĻĻ⧇āϰ āĻĒāĻžāĻžā§āϜāĻžāĻŦāĻŋ

āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– āĻŽāĻžāύ⧇āχ āϏāĻŦāĻžāϰ āĻšā§‹āĻ– āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻĄāĻŋāϜāĻžāχāύ⧇āϰ āϏāĻŦ āĻļāĻžā§œāĻŋ āφāϰ āĻĒāĻžāĻžā§āϜāĻžāĻŦāĻŋāϰ āĻĻāĻŋāϕ⧇āĨ¤ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāϖ⧇ āĻŦāĻ°ā§āώāĻŦāϰāϪ⧇ āĻ•āĻŋ āĻĒā§œā§‡ āϝāĻžāĻŦ⧇āύ āϤāĻž āφāϗ⧇āχ āϏāĻŦāĻžāχ āϭ⧇āĻŦ⧇ āϰ⧇āϖ⧇ āύāĻŋāĻœā§‡āϰ āĻļāĻĒāĻŋāĻ‚ āφāϗ⧇āχ āĻļ⧇āώ āĻ•āϰ⧇ āϰāĻžāϖ⧇āύ āĻŦ⧈āĻļāĻžāĻ– āφāϰ āϐāϤāĻŋāĻšā§āϝāĻĒā§āϰ⧇āĻŽā§€ āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀āϰāĻžāĨ¤ āĻĒāϰāĻŋāĻŦāĻžāϰ⧇āϰ āϏāĻŦāĻžāϰ āϜāĻ¨ā§āϝ āϕ⧇āύāĻžāĻ•āĻžāϟāĻž āĻ•āϰāĻžāϰ āϧ⧁āĻŽ āĻĒā§œā§‡ āϏāĻŽāĻ—ā§āϰ āĻŦāĻžāĻ‚āϞāĻžā§ŸāĨ¤ āϛ⧋āϟ āϛ⧇āϞ⧇āĻĻ⧇āϰ āĻĒāĻ›āĻ¨ā§āĻĻ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϏāĻŦ āĻĒāĻžāĻžā§āϜāĻžāĻŦā§€, āĻĢāϤ⧁⧟āĻž āĻ…āĻĨāĻŦāĻž āϕ⧋āύ āϕ⧋āύ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻĢāϤ⧁⧟āĻžāϰ āϏāĻžāĻĨ⧇ āĻ—āĻžāĻŽāĻ›āĻž āφāϰ āϞ⧁āĻ™ā§āĻ—āĻŋāĨ¤ āĻŽā§‡ā§Ÿā§‡āϰāĻž āϤ⧋ āϏ⧁āĻ¨ā§āĻĻāϰ āĻĄāĻŋāϜāĻžāχāύ⧇āϰ āĻļāĻžā§œāĻŋ āĻ…āĻĨāĻŦāĻž āϏāĻžāĻ˛ā§‹ā§ŸāĻžāϰ āĻ•āĻžāĻŽāĻŋāϜ āĻ•āĻŋāύ⧇ āϰāĻžāĻ–āĻŦ⧇āύ āφāϗ⧇ āĻ­āĻžāϗ⧇āχ!

āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ (⧍ā§Ļ⧍⧍) āĻ•āϤ āϤāĻžāϰāĻŋāĻ– āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻšāĻšā§āϛ⧇?

ā§§ āĻāĻĒā§āϰāĻŋāϞ, ⧍ā§Ļ⧍⧍ āϤāĻžāϰāĻŋāĻ–, āϰ⧋āϜ āĻļ⧁āĻ•ā§āϰāĻŦāĻžāϰ āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻšāĻ“ā§ŸāĻž āĻĻāĻžāϰāĻžāϜ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻŦāĻžāĻ‚āϞāĻž āύāϤ⧁āύ āĻŦāĻ›āϰ⧇āϰ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻžā§Ÿ āĻāĻ–āύ āĻ…āύāϞāĻžāχāύ⧇ āϘāϰ⧇ āĻŦāϏ⧇āχ āφāĻĒāύāĻŋ āĻĒāĻžāĻŦ⧇āύ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āϏāĻŦ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻ•āĻžāϞ⧇āĻ•āĻļāύāĨ¤ āϏāĻ™ā§āϗ⧇ āϏāĻŽā§Ÿā§‡āϰ āϏ⧇āϰāĻž āĻŽā§‚āĻ˛ā§āϝāĻ›āĻžā§œ āϤ⧋ āĻĨāĻžāĻ•āϛ⧇āχāĨ¤ āĻĻāĻžāϰāĻžāϜ āĻĨ⧇āϕ⧇ āĻ•āĻŋāύāϤ⧇ āĻĒāĻžāϰ⧇āύ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻĄāĻŋāϜāĻžāχāύ⧇āϰ āĻĒāĻžāĻžā§āϜāĻžāĻŦā§€, āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻļāĻžā§œā§€, āĻ¸ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϞ, āϚ⧁⧜āĻŋ, āϟāĻŋāĻĒ, āύāĻžāύāĻž āϧāϰāϪ⧇āϰ āφāĻ•āĻ°ā§āώāĻ¨ā§€ā§Ÿ āĻ—āĻšāύāĻž āϏāĻš āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻŦā§āĻ°ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϰ āϰāĻ•āĻŽāĻžāϰāĻŋ āĻĒāĻŖā§āϝāĨ¤ āĻāĻĒā§āϰāĻŋāϞ⧇āϰ ā§§ āϤāĻžāϰāĻŋāĻ– āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻšāĻ“ā§ŸāĻž āĻ āĻŽā§‡āϞāĻž āϚāϞāĻŦ⧇ āĻāϕ⧇āĻŦāĻžāϰ⧇ āĻĒāĻšā§‡āϞāĻž āĻŦ⧈āĻļāĻžāĻ– ā§§ā§Ē āĻāĻĒā§āϰāĻŋāϞ, ⧍ā§Ļ⧍⧍ āĻĒāĻ°ā§āϝāĻ¨ā§āϤāĨ¤

āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž – āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āϜāύāĻĒā§āϰāĻŋ⧟ āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚ āĻŽā§‡āϞāĻž

āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āĻŦāĻĄāĻŧ āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚ āĻŽā§‡āϞāĻž āĻšāϞ āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻžāĨ¤ āĻĻāĻžāϰāĻžāϜ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀ āĻ•ā§āϰ⧇āϤāĻžāĻĻ⧇āϰ āύāĻŦāĻŦāĻ°ā§āώ āωāĻĻāϝāĻžāĻĒāύ⧇āϰ āϜāĻ¨ā§āϝ āĻĻāĻŋāĻšā§āϛ⧇ āĻŦāĻŋāĻļāĻžāϞ āĻŽā§‚āĻ˛ā§āϝāĻ›āĻžā§œāĨ¤ āφāĻĒāύāĻŋ āĻŽā§‹āĻŦāĻžāχāϞ āĻĢā§‹āύ, āĻ•āĻŽā§āĻĒāĻŋāωāϟāĻžāϰ, āĻŸā§‡āϞāĻŋāĻ­āĻŋāĻļāύ, āĻĒā§‹āĻļāĻžāĻ•, āϜ⧁āϤāĻž, āϜāĻŋāύāĻŋāϏāĻĒāĻ¤ā§āϰ āĻāĻŦāĻ‚ āφāϰ⧋ āĻ…āύ⧇āĻ• āĻĒāĻŖā§āϝ⧇āϰ āϜāĻ¨ā§āϝ āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚-āĻāϰ āωāĻĒāϰ āĻ…āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ā§āϝ āĻŽā§‚āĻ˛ā§āϝāĻ›āĻžāĻĄāĻŧ āĻĒ⧇āϤ⧇ āϝāĻžāĻšā§āϛ⧇āύāĨ¤ āϕ⧇āĻŦāϞ āĻĢā§āϝāĻžāĻļāύ āύ⧟, āĻ¸ā§āϝāĻžāĻŽāϏāĻžāĻ‚, āĻāχāϚāĻĒāĻŋ, āĻŽāĻžāχāĻ•ā§āϰ⧋āϏāĻĢāϟ, āϞ⧇āύ⧋āĻ­ā§‹, āĻŦāĻžāϟāĻž, āĻāĻĒ⧇āĻ•ā§āϏ āϏāĻš āĻŦ⧜ āĻŦ⧜ āĻŦā§āĻ°ā§āϝāĻžāĻ¨ā§āĻĄā§‡āϰ āĻŽā§‡āĻ—āĻž āϏ⧇āϞ āχāϭ⧇āĻ¨ā§āĻŸā§‡ āĻ•ā§āϰ⧇āϤāĻžāϰāĻž āϕ⧇āύāĻžāĻ•āĻžāϟāĻž āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦ⧇āύ āϖ⧁āĻŦ āĻ¸ā§āĻŦāĻžāĻšā§āĻ›āĻ¨ā§āĻĻā§āϝ⧇āχ āĻāĻŦāĻ‚ āφāĻ¸ā§āĻĨāĻžāϰ āϏāĻžāĻĨ⧇āχāĨ¤

āĻšā§‹āĻ– āϰāĻžāϖ⧁āύ āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž ā§§ā§Ē⧍⧝ (⧍ā§Ļ⧍⧍) āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ⧇

āĻŦāĻ›āϰ⧇āϰ āϏ⧇āϰāĻž āĻĄāĻŋāϞ āϗ⧁āϞ⧋ āĻĒ⧇āϤ⧇ āĻšā§‹āĻ– āϰāĻžāϖ⧁āύ āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž ā§§ā§Ē⧍⧝ (⧍ā§Ļ⧍⧍) āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ⧇āĨ¤ āύāĻŋāϰāĻžāĻĒāĻĻ āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚ āĻ•āϰāϤ⧇ āĻĻāĻžāϰāĻžāĻœā§‡āϰ āϏāĻžāĻĨ⧇āχ āĻĨāĻžāϕ⧁āύāĨ¤ āĻĒā§āϰāĻžāĻŖāĻŦāĻ¨ā§āϤ āĻ…āύāϞāĻžāχāύ āĻļāĻĒāĻŋāĻ‚ āĻ•āϰ⧁āύ āφāϰ āĻāĻ•ā§āĻ•āĻŋ-āĻāĻžāĻŽā§‡āϞāĻž āϕ⧇ āĻŦāĻŋāĻĻāĻžā§Ÿ āĻĻāĻŋāύ āĻāĻ–āύāχāĨ¤

āϝ⧇āϕ⧋āύ āϞ⧋āĻ­āĻ¨ā§€ā§Ÿ āĻĄāĻŋāϞ āĻ“ āĻĄāĻŋāϏāĻ•āĻžāωāĻ¨ā§āϟ āĻ…āĻĢāĻžāϰ⧇āϰ āφāĻĒāĻĄā§‡āϟ āĻĒ⧇āϤ⧇ āĻ­āĻŋāϜāĻŋāϟ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ⧇, āĻšā§‹āĻ– āϰāĻžāϖ⧁āύ āĻĻāĻžāϰāĻžāϜ āĻŦ⧈āĻļāĻžāĻ–ā§€ āĻŽā§‡āϞāĻž āĻŦā§āϞāĻ— āĻĒ⧇āĻœā§‡ āĻāĻ–āύāχāĨ¤


āĻĻāĻžāϰāĻžāϜ āĻ•ā§Ÿā§‡āύ āĻ…āĻĢāĻžāϰ āφāĻĒāĻĄā§‡āϟ

āĻ…āĻĢāĻžāϰ āύāĻ‚ ā§§āσ

⇒ āĻ•ā§Ÿā§‡āύ āĻ•āĻžāϞ⧇āĻ•ā§āϟ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āĻ¸ā§āĻŽāĻžāĻ°ā§āϟāĻĢā§‹āύ āϜāĻŋāϤ⧁āύ

⇒ ā§§āϞāĻž āĻāĻĒā§āϰāĻŋāϞ āĻĨ⧇āϕ⧇ ā§§ā§Ēāχ āĻāĻĒā§āϰāĻŋāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻ•āϝāĻŧ⧇āύ āĻ•āĻžāϞ⧇āĻ•ā§āϟ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āĻāĻ•āϟāĻŋ realme Narzo 50i āĻ¸ā§āĻŽāĻžāĻ°ā§āϟāĻĢā§‹āύ āϜāĻŋāϤ⧇ āύāĻŋāύāĨ¤

āĻļāĻ°ā§āϤāĻžāĻŦāϞāĻŋāσ

  • āĻ…āĻĢāĻžāϰāϟāĻŋ ā§§āϞāĻž āĻāĻĒā§āϰāĻŋāϞ āĻĨ⧇āϕ⧇ ā§§ā§Ēāχ āĻāĻĒā§āϰāĻŋāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻĨāĻžāĻ•āĻŦ⧇⧎ āϝ⧇ āĻ—ā§āϰāĻžāĻšāĻ• āωāĻ˛ā§āϞāĻŋāĻ–āĻŋāϤ āϏāĻŽāϝāĻŧ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻ°ā§āĻŦāĻžāϧāĻŋāĻ• āϏāĻ‚āĻ–ā§āϝāĻ• āĻ•āϝāĻŧ⧇āύ āĻ•āĻžāϞ⧇āĻ•ā§āϟ āĻ•āϰāĻŦ⧇āύ āϤāĻžāĻĻ⧇āϰ āĻŦāĻŋāϜāϝāĻŧā§€ āĻšāĻŋāϏāĻžāĻŦ⧇ āύāĻŋāĻ°ā§āĻŦāĻžāϚāĻŋāϤ āĻ•āϰāĻž āĻšāĻŦ⧇āĨ¤
  • āĻšā§‡āĻ•-āχāύ, āĻŽāĻŋāĻļāύ āĻ“ āϕ⧇āύāĻžāĻ•āĻžāϟāĻžāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻ•ā§Ÿā§‡āύ āĻ•āĻžāϞ⧇āĻ•ā§āϟ āĻ•āϰāĻž āϝāĻžāĻŦ⧇āĨ¤
  • āĻ…āĻĢāĻžāϰāϟāĻŋāϰ āĻĒ⧇āϤ⧇ āĻ—ā§āϰāĻžāĻšāϕ⧇āϰ āĻ…āĻŦāĻļā§āϝāχ āĻĻāĻžāϰāĻžāĻœā§‡ āĻĒā§‚āĻ°ā§āĻŦ⧇āϰ āϏāĻĢāϞ āĻ…āĻ°ā§āĻĄāĻžāϰ āĻĨāĻžāĻ•āϤ⧇ āĻšāĻŦ⧇āĨ¤
  • āĻŦāĻŋāϜāϝāĻŧā§€āϕ⧇ āĻāĻ•āϟāĻŋ realme Narzo 50i āĻ¸ā§āĻŽāĻžāĻ°ā§āϟāĻĢā§‹āύ āωāĻĒāĻšāĻžāϰ āĻĻ⧇āĻ“āϝāĻŧāĻž āĻšāĻŦ⧇āĨ¤
  • ā§Šā§Ļ āĻāĻĒā§āϰāĻŋāϞ⧇āϰ āĻĒāϰ⧇ āĻŦāĻŋāĻœā§Ÿā§€āϕ⧇ āωāĻĒāĻšāĻžāϰ āĻĻ⧇āĻ“āϝāĻŧāĻž āĻšāĻŦ⧇āĨ¤ āĻŦāĻŋāϜāϝāĻŧā§€āϕ⧇ ā§Šā§Ļ āĻāĻĒā§āϰāĻŋāϞ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ•āϞ/āĻāϏāĻāĻŽāĻāϏ āĻāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϜāĻžāύāĻžāύ⧋ āĻšāĻŦ⧇āĨ¤
  • āĻ…āĻĢāĻžāϰāϟāĻŋāϤ⧇ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻĻāĻžāϰāĻžāϜ āĻ…ā§āϝāĻžāĻĒ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāĻŖ āĻ•āϰāĻž āϝāĻžāĻŦ⧇āĨ¤
  • āĻāĻ•āχ āĻĄāĻŋāĻ­āĻžāχāϏ⧇ āĻāĻ•āĻžāϧāĻŋāĻ• āĻ…ā§āϝāĻžāĻ•āĻžāωāĻ¨ā§āĻŸā§‡āϰ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀āϰāĻž āĻ…āĻĢāĻžāϰāϟāĻŋāϰ āϜāĻ¨ā§āϝ āϝ⧋āĻ—ā§āϝ āĻšāĻŦ⧇āύ āύāĻžāĨ¤
  • āĻĻāĻžāϰāĻžāϜ āϝ⧇ āϕ⧋āύ āϏāĻŽāϝāĻŧ āĻŦāĻŋāϜāϝāĻŧā§€ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ, āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻŦāĻž āĻŦāĻžāϤāĻŋāϞ āĻ•āϰāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ•āϰ⧇āĨ¤
  • āωāĻĒāĻšāĻžāϰ āϏāĻžāĻŽāĻ—ā§āϰ⧀āϟāĻŋ āĻĢ⧇āϰāϤāϝ⧋āĻ—ā§āϝ āύāϝāĻŧ āĻāĻŦāĻ‚ āĻĻāĻžāϰāĻžāϜ āĻĻā§āĻŦāĻžāϰāĻž āĻŦāĻŋāĻ•ā§āϰāϝāĻŧā§‹āĻ¤ā§āϤāϰ āϏ⧇āĻŦāĻž āĻĒā§āϰāĻĻāĻžāύ āĻ•āϰāĻž āĻšāĻŦ⧇ āύāĻžāĨ¤

āωāĻĒāĻšāĻžāϰāσ realme Narzo 50i āĻ¸ā§āĻŽāĻžāĻ°ā§āϟāĻĢā§‹āύ


āĻ…āĻĢāĻžāϰ āύāĻ‚ ⧍āσ

⇒ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻĻāĻžāϰāĻžāϜ āĻ•ā§Ÿā§‡āύ āĻšā§‡āĻ•-āχāύ āĻ•āϰ⧇ āϜāĻŋāϤ⧇ āύāĻŋāϤ⧇ āĻĒāĻžāϰ⧇āύ ā§Ģā§Ļā§Ļ āϟāĻžāĻ•āĻžāϰ āĻĻāĻžāϰāĻžāϜ āĻ­āĻžāωāϚāĻžāϰāĨ¤

āĻļāĻ°ā§āϤāĻžāĻŦāϞ⧀āσ

  • āĻ…āĻĢāĻžāϰāϟāĻŋ ⧍ā§Ģ āĻļ⧇ āĻŽāĻžāĻ°ā§āϚ āĻĨ⧇āϕ⧇ ā§§ā§Š āχ āĻāĻĒā§āϰāĻŋāϞ ⧍ā§Ļ⧍⧍ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϞāĻžāχāĻ­ āĻĨāĻžāĻ•āĻŦ⧇āĨ¤ āϏāĻ•āĻžāϞ ā§§ā§§ āϟāĻž āĻĨ⧇āϕ⧇ ā§§ā§§ āϟāĻž ā§Šā§Ļ āĻŽāĻŋāύāĻŋāĻŸā§‡āϰ āĻŽāĻ§ā§āϝ⧇ āĻšā§‡āĻ•-āχāύ āĻ•āϰāĻž āĻĒā§āϰāĻĨāĻŽ ā§Ģ āϜāύ āĻŦāĻŋāϜāϝāĻŧā§€ āĻšāĻŋāϏāĻžāĻŦ⧇ āύāĻŋāĻ°ā§āĻŦāĻžāϚāĻŋāϤ āĻšāĻŦ⧇āĨ¤
  • āύāĻŋāĻ°ā§āĻĻāĻŋāĻˇā§āϟ āϏāĻŽāϝāĻŧ⧇ āĻšā§‡āĻ•-āχāύ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻĒā§āϰāĻĨāĻŽ ā§Ģ āϜāύ āĻŦāĻŋāϜāϝāĻŧā§€ āĻšāĻŋāϏāĻžāĻŦ⧇ āĻŦāĻŋāĻŦ⧇āϚāĻŋāϤ āĻšāĻŦ⧇ āĻ­āĻžāωāϚāĻžāϰ āĻĻā§āĻŦāĻžāϰāĻž āĻĒ⧁āϰāĻ¸ā§āĻ•ā§ƒāϤ āĻšāĻŦ⧇ āĨ¤ āĻŦāĻŋāϜāϝāĻŧā§€āĻĻ⧇āϰ ā§§ā§Ē āĻāĻĒā§āϰāĻŋāϞ ⧍ā§Ļ⧍⧍ āĻ SMS āĻāϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻ­āĻžāωāϚāĻžāϰ āĻĒāĻžāĻ āĻžāύ⧋ āĻšāĻŦ⧇āĨ¤
  • āĻāĻ•āχ āĻŦā§āϝāĻ•ā§āϤāĻŋāϕ⧇ āĻāĻ•āĻžāϧāĻŋāĻ•āĻŦāĻžāϰ āĻĒ⧁āϰāĻ¸ā§āĻ•ā§ƒāϤ āĻ•āϰāĻž āĻšāĻŦ⧇ āύāĻžāĨ¤
  • āĻŦāĻŋāϜāϝāĻŧā§€āĻĻ⧇āϰ āĻ­āĻžāωāϚāĻžāϰ ā§§ā§Ē āĻāĻĒā§āϰāĻŋāϞ āĻĒāĻžāĻ āĻžāύ⧋ āĻšāĻŦ⧇āĨ¤ āĻ­āĻžāωāϚāĻžāϰāϗ⧁āϞāĻŋ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ ā§§ā§Ģāχ āĻāĻĒā§āϰāĻŋāϞ āĻĨ⧇āϕ⧇ ⧍āϰāĻž āĻŽā§‡ ⧍ā§Ļ⧍⧍ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āϝāĻžāĻŦ⧇āĨ¤ āĻŦā§āϝāĻŦāĻšāĻžāϰāĻ•āĻžāϰ⧀āĻĻ⧇āϰ āĻāχ āϏāĻŽāϝāĻŧāϏ⧀āĻŽāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻ­āĻžāωāϚāĻžāϰ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤
  • āĻ­āĻžāωāϚāĻžāϰāϟāĻŋāϤ⧇ āϏāĻ°ā§āĻŦāύāĻŋāĻŽā§āύ ā§§ā§Ģā§Ļā§Ļ āϟāĻžāĻ•āĻžāϰ āϕ⧇āύāĻžāĻ•āĻžāϟāĻžā§Ÿ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āϝāĻžāĻŦ⧇āĨ¤ āĻāχ āĻ­āĻžāωāϚāĻžāϰāϗ⧁āϞāĻŋ āĻŽā§āĻĻāĻŋ, āĻĒā§āϝāĻžāϕ⧇āϜāĻŋāĻ‚ āϏāĻžāĻŽāĻ—ā§āϰ⧀, āĻĄāĻŋāϜāĻŋāϟāĻžāϞ āĻĒāĻŖā§āϝ, āχāωāύāĻŋāϞāĻŋāĻ­āĻžāϰ āĻĒāĻŋāωāϰāĻŋāϟ, āĻŽā§‹āϟāϰāϏ āĻĒāĻŖā§āϝ, āĻŦ⧇āĻŦāĻŋ āϟāĻĄāϞāĻžāϰ āĻĢ⧁āĻĄ, āχāωāϟāĻŋāϞāĻŋāϟāĻŋ āĻĒ⧇āĻŽā§‡āĻ¨ā§āϟ āĻāĻŦāĻ‚ āĻ­ā§āϰāĻŽāĻŖ āĻŦāĻŋāĻ­āĻžāĻ— āĻĨ⧇āϕ⧇ āĻĒāĻŖā§āϝ āĻ“ āĻĒāϰāĻŋāώ⧇āĻŦāĻž āϕ⧇āύāĻžāϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āϝāĻžāĻŦ⧇ āύāĻžāĨ¤
  • āĻ…āĻĢāĻžāϰāϟāĻŋ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻĻāĻžāϰāĻžāϜ āĻ…ā§āϝāĻžāĻĒ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻŦā§āϝāĻžāĻŦāĻšāĻžāϰ āĻ•āϰāĻž āϝāĻžāĻŦ⧇āĨ¤
  • āĻāχ āĻ…āĻĢāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āϝ⧋āĻ—ā§āϝ āĻšāϤ⧇ āĻ—ā§āϰāĻžāĻšāĻ•āĻĻ⧇āϰ āĻ…āĻŦāĻļā§āϝāχ āĻĻāĻžāϰāĻžāĻœā§‡ āφāϗ⧇āϰ āϏāĻĢāϞ āĻ…āĻ°ā§āĻĄāĻžāϰ āĻĨāĻžāĻ•āϤ⧇ āĻšāĻŦ⧇āĨ¤
  • āĻĻāĻžāϰāĻžāϜ āĻ—ā§āϰāĻžāĻšāĻ•āϕ⧇ āύ⧋āϟāĻŋāĻļ āĻ›āĻžāĻĄāĻŧāĻžāχ āĻ…āĻĢāĻžāϰāϟāĻŋ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻŦāĻž āĻŦāĻžāϤāĻŋāϞ āĻ•āϰāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ āϏāĻ‚āϰāĻ•ā§āώāĻŖ āĻ•āϰ⧇āĨ¤